Difference between revisions of "Jonathan Ned Katz: "Comrades and Lovers," Act I"

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::ACT I  
+
:::ACT I, SCENE 1
  
::LIGHTS OFF; WHITMAN'S FIRST WORDS ARE HEARD IN THE DARK.
+
:::LIGHTS OFF; WHITMAN'S FIRST WORDS ARE HEARD IN THE DARK.
  
  
Line 32: Line 32:
  
  
::LIGHTS ON, NIGHT.
+
:::LIGHTS ON, NIGHT.
::SCENE TITLE, PROJECTED OR WRITTEN ON PLACARD:
+
:::SCENE TITLE, PROJECTED OR WRITTEN ON PLACARD:
::1 Walt Whitman, "Love-thoughts"
+
:::1 Walt Whitman, "Love-thoughts"
  
::WHITMAN AND A "BOY" MOVE CLOSE TOGETHER, ADDRESS EACH OTHER.
+
:::WHITMAN AND A "BOY" MOVE CLOSE TOGETHER, ADDRESS EACH OTHER.
  
 
   
 
   
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::SCENE TITLE: 2 Rufus Griswold, "Once licentiousness"  
+
:::SCENE TITLE: 2 Rufus Griswold, "Once licentiousness"  
  
::RESPONDING TO THE EARLIER VERSE, GRISWOLD APPEARS WITH LEAVES OF GRASS, SPEAKS TO WHITMAN.
+
:::RESPONDING TO THE EARLIER VERSE, GRISWOLD APPEARS WITH ''LEAVES OF GRASS'', SPEAKS TO WHITMAN.
  
  
 
GRISWOLD: Once licentiousness
 
GRISWOLD: Once licentiousness
  
shunned the light;
+
:::shunned the light;
  
now it writes books
+
:::now it writes books
  
showing how grand and pure it is,  
+
:::showing how grand and pure it is,  
  
and prophecies  
+
:::and prophecies  
  
its own ultimate triumph.  
+
:::its own ultimate triumph.  
  
  
::TO AUDIENCE, HOLDING UP LEAVES OF GRASS
+
:::TO AUDIENCE, HOLDING UP ''LEAVES OF GRASS''
  
  
It is impossible to imagine
+
:::It is impossible to imagine
  
how any man's fancy  
+
:::how any man's fancy  
  
could have conceived  
+
:::could have conceived  
  
such a mass of stupid filth.  
+
:::such a mass of stupid filth.  
  
We leave this gathering of muck
+
:::We leave this gathering of muck
  
to the laws  
+
:::to the laws  
  
which have power to suppress
+
:::which have power to suppress
  
such gross obscenity.
+
:::such gross obscenity.

Revision as of 17:59, 28 November 2009

ENTRY IN CONSTRUCTION

Jonathan Ned Katz: "Comrades and Lovers"


ACT I, SCENE 1
LIGHTS OFF; WHITMAN'S FIRST WORDS ARE HEARD IN THE DARK.


WHITMAN: Love thoughts

SPEAKER 1: love-juice,

SPEAKER 2: love-odor,

SPEAKER 3: love-yielding,

SPEAKER 4: love-climbers,

WHITMAN: and the climbing sap,

SPEAKER 1: arms and hands of love,

SPEAKER 2: lips of love,

SPEAKER 3: phallic thumb of love,

SPEAKER 4: breasts of love,

WHITMAN: bellies pressed and glued together with love.


LIGHTS ON, NIGHT.
SCENE TITLE, PROJECTED OR WRITTEN ON PLACARD:
1 Walt Whitman, "Love-thoughts"
WHITMAN AND A "BOY" MOVE CLOSE TOGETHER, ADDRESS EACH OTHER.


BOY: The wet of woods through the early hours.

WHITMAN: Two sleepers at night lying close together as they sleep,

BOY: One with an arm slanting down across and below the waist of the other.

WHITMAN: The smell of apples,

BOY: aromas from crushed sage plant,

WHITMAN: mint,

BOY: birch bark.

WHITMAN: The boy's longings, the glow and pressure as he confides to me what he was dreaming.

BOY: The dead leaf tallings its spiral whirl, falling still and content to the ground.

WHITMAN: The sensitive, orbic, underlapped brothers, that only privileged feelers may be intimate where they are.

BOY: The mystic amorous night.

WHITMAN: The curious roamer the hand, roaming allover the body,

BOY: the bashful withdrawing of flesh where the fingers soothingly pause and edge themselves.

WHITMAN: The limpid liquid within the young man,

BOY: the vex'd corrosion so pensive and painful,

WHITMAN: the torment,

BOY: the irritable tide that will not be at rest,

WHITMAN: the like of the same I feel, the like of the same in others.


SCENE TITLE: 2 Rufus Griswold, "Once licentiousness"
RESPONDING TO THE EARLIER VERSE, GRISWOLD APPEARS WITH LEAVES OF GRASS, SPEAKS TO WHITMAN.


GRISWOLD: Once licentiousness

shunned the light;
now it writes books
showing how grand and pure it is,
and prophecies
its own ultimate triumph.


TO AUDIENCE, HOLDING UP LEAVES OF GRASS


It is impossible to imagine
how any man's fancy
could have conceived
such a mass of stupid filth.
We leave this gathering of muck
to the laws
which have power to suppress
such gross obscenity.