Difference between revisions of "Jonathan Ned Katz: "Comrades and Lovers," Act I"

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:::ACT I, SCENE 1
 
:::ACT I, SCENE 1
  
:::LIGHTS OFF; WHITMAN'S FIRST WORDS ARE HEARD IN THE DARK.
+
:::[LIGHTS OFF; WHITMAN'S FIRST WORDS ARE HEARD IN THE DARK.]
  
  
Line 32: Line 32:
  
  
:::LIGHTS ON, NIGHT.
+
:::[LIGHTS ON, NIGHT.
:::SCENE TITLE, PROJECTED OR WRITTEN ON PLACARD:
+
:::SCENE TITLE, PROJECTED OR PRINTED ON PLACARD:
 
:::1 Walt Whitman, "Love-thoughts"
 
:::1 Walt Whitman, "Love-thoughts"
 
+
:::WHITMAN AND A "BOY" MOVE CLOSE TOGETHER, ADDRESS EACH OTHER.]
:::WHITMAN AND A "BOY" MOVE CLOSE TOGETHER, ADDRESS EACH OTHER.
 
  
 
   
 
   
Line 76: Line 75:
  
  
:::SCENE TITLE: 2 Rufus Griswold, "Once licentiousness"  
+
:::[SCENE TITLE: 2 Rufus Griswold, "Once licentiousness"  
 
+
:::RESPONDING TO THE EARLIER VERSE, GRISWOLD APPEARS WITH ''LEAVES OF GRASS'', SPEAKS TO WHITMAN.]
:::RESPONDING TO THE EARLIER VERSE, GRISWOLD APPEARS WITH ''LEAVES OF GRASS'', SPEAKS TO WHITMAN.
 
  
  
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:::TO AUDIENCE, HOLDING UP ''LEAVES OF GRASS''
+
:::[TO AUDIENCE, HOLDING UP ''LEAVES OF GRASS'']
  
  
Line 111: Line 109:
 
:::which have power to suppress
 
:::which have power to suppress
  
:::such gross obscenity.
+
:::such gross obscenity.  
 +
 
 +
 
 +
:::[FIRE AND BR1MSTONE PROPHECY]
 +
 +
 
 +
:::"Peccatum illud horribile,
 +
:::inter Christianos non nominandum."
 +
 
 +
 
 +
:::[WHISPERS TO WHITMAN]
 +
 
 +
 +
:::(That vile sin among Christians not to be named.)
 +
 
 +
 
 +
:::[WHITMAN AND SPEAKERS RESPOND TO GRISWOLD.
 +
 
 +
:::SCENE TITLE: 3 Walt Whitman, "Through me"]
 +
 
 +
 
 +
WHITMAN: Through me many long dumb voices,
 +
 
 +
SPEAKER 1: voices of the interminable generations of slaves,
 +
 
 +
SPEAKER 2: voices of prostitutes and deformed persons,
 +
 
 +
SPEAKER 3: voices of the diseased and despairing,
 +
 
 +
SPEAKER 4: voices of wombs and the fatherstuff,
 +
 
 +
SPEAKER 1: voices of the rights of them the others are down upon.
 +
 
 +
WHITMAN: Through me forbidden voices,
 +
 
 +
SPEAKER 2: voices of sexes and lusts,
 +
 
 +
SPEAKER 3: voices veiled and I remove the veil,
 +
 
 +
SPEAKER 4: voices indecent by me clarified and transfigured.
 +
 
 +
WHITMAN: I do not press my finger across my mouth!
 +
 
 +
SPEAKER 1: keep as delicate around the bowels as around the head and heart,
 +
 
 +
SPEAKER 2: copulation is no more rank to me than death is.
 +
 
 +
SPEAKER 3: I believe in the flesh and the appetites,
 +
 
 +
SPEAKER 4: seeing, hearing, and feeling are miracles, and each part and tag of me is a miracle.
 +
 
 +
WHITMAN: [TO BRONSON ALCOTT AND HENRY DAVID THOREAU, WHO APPEAR IN THE NEXT SCENE]
 +
 
 +
:::If I worship any particular thing
 +
 
 +
:::it shall be some of the spread of my body;
 +
 
 +
SPEAKER 1: You my rich blood, your milky stream pale strippings of my life;
 +
 
 +
SPEAKER 2: Breast that presses against other breasts it shall be you,
 +
 +
SPEAKER 3: Root of washed sweet-flag,
 +
:::timorous pond-snipe,
 +
:::nest of guarded duplicate eggs,
 +
::: it shall be you,
 +
 
 +
SPEAKER 4: Mixed tussled hay of head and beard and brawn it shall be you,
 +
 
 +
WHITMAN: Trickling sap of maple, fibre of manly wheat, it shall be. you;
 +
 
 +
SPEAKER 1: Winds whose soft-tickling genitals rub against me it shall be you,
 +
 
 +
SPEAKER 2: Broad muscular fields,
 +
 
 +
SPEAKER 3: branches of liveoak,
 +
 
 +
SPEAKER 4: loving lounger in my winding paths, it shall be you, 
 +
 +
WHITMAN: Hands I have taken, face I have kissed, mortal I have ever touched, it shall be you.
 +
 
 +
 
 +
:::[ALCOTT AND HENRY DAVID THOREAU RESPOND TO WHITMAN
 +
 
 +
:::SCENE TITLE: 4 Bronson Alcott: "This morning with Henry David Thoreau"
 +
 
 +
:::ALCOTT ADDRESSES AUDIENCE; THOREAU ACCOMPANIES HIM, FOCUSING ON WHITMAN]
 +
 
 +
 
 +
ALCOTT: This morning
 +
:::with Henry David Thoreau to Brooklyn,
 +
:::to see Walt Whitman.
 +
:::I find this Whitman
 +
:::likely to make his mark on Young America he affirming himself
 +
:::to be its representative man and poet.
 +
 
 +
 
 +
[WHITMAN AND THOREAU EYE EACH OTHER SUSPICIOUSLY; ALCOTT OBSERVES]
 +
 
 +
 
 +
:::Thoreau and Whitman
 +
:::each seemed planted fast in reserve,

Revision as of 18:37, 28 November 2009

ENTRY IN CONSTRUCTION

Jonathan Ned Katz: "Comrades and Lovers"


ACT I, SCENE 1
[LIGHTS OFF; WHITMAN'S FIRST WORDS ARE HEARD IN THE DARK.]


WHITMAN: Love thoughts

SPEAKER 1: love-juice,

SPEAKER 2: love-odor,

SPEAKER 3: love-yielding,

SPEAKER 4: love-climbers,

WHITMAN: and the climbing sap,

SPEAKER 1: arms and hands of love,

SPEAKER 2: lips of love,

SPEAKER 3: phallic thumb of love,

SPEAKER 4: breasts of love,

WHITMAN: bellies pressed and glued together with love.


[LIGHTS ON, NIGHT.
SCENE TITLE, PROJECTED OR PRINTED ON PLACARD:
1 Walt Whitman, "Love-thoughts"
WHITMAN AND A "BOY" MOVE CLOSE TOGETHER, ADDRESS EACH OTHER.]


BOY: The wet of woods through the early hours.

WHITMAN: Two sleepers at night lying close together as they sleep,

BOY: One with an arm slanting down across and below the waist of the other.

WHITMAN: The smell of apples,

BOY: aromas from crushed sage plant,

WHITMAN: mint,

BOY: birch bark.

WHITMAN: The boy's longings, the glow and pressure as he confides to me what he was dreaming.

BOY: The dead leaf tallings its spiral whirl, falling still and content to the ground.

WHITMAN: The sensitive, orbic, underlapped brothers, that only privileged feelers may be intimate where they are.

BOY: The mystic amorous night.

WHITMAN: The curious roamer the hand, roaming allover the body,

BOY: the bashful withdrawing of flesh where the fingers soothingly pause and edge themselves.

WHITMAN: The limpid liquid within the young man,

BOY: the vex'd corrosion so pensive and painful,

WHITMAN: the torment,

BOY: the irritable tide that will not be at rest,

WHITMAN: the like of the same I feel, the like of the same in others.


[SCENE TITLE: 2 Rufus Griswold, "Once licentiousness"
RESPONDING TO THE EARLIER VERSE, GRISWOLD APPEARS WITH LEAVES OF GRASS, SPEAKS TO WHITMAN.]


GRISWOLD: Once licentiousness

shunned the light;
now it writes books
showing how grand and pure it is,
and prophecies
its own ultimate triumph.


[TO AUDIENCE, HOLDING UP LEAVES OF GRASS]


It is impossible to imagine
how any man's fancy
could have conceived
such a mass of stupid filth.
We leave this gathering of muck
to the laws
which have power to suppress
such gross obscenity.


[FIRE AND BR1MSTONE PROPHECY]


"Peccatum illud horribile,
inter Christianos non nominandum."


[WHISPERS TO WHITMAN]


(That vile sin among Christians not to be named.)


[WHITMAN AND SPEAKERS RESPOND TO GRISWOLD.
SCENE TITLE: 3 Walt Whitman, "Through me"]


WHITMAN: Through me many long dumb voices,

SPEAKER 1: voices of the interminable generations of slaves,

SPEAKER 2: voices of prostitutes and deformed persons,

SPEAKER 3: voices of the diseased and despairing,

SPEAKER 4: voices of wombs and the fatherstuff,

SPEAKER 1: voices of the rights of them the others are down upon.

WHITMAN: Through me forbidden voices,

SPEAKER 2: voices of sexes and lusts,

SPEAKER 3: voices veiled and I remove the veil,

SPEAKER 4: voices indecent by me clarified and transfigured.

WHITMAN: I do not press my finger across my mouth!

SPEAKER 1: keep as delicate around the bowels as around the head and heart,

SPEAKER 2: copulation is no more rank to me than death is.

SPEAKER 3: I believe in the flesh and the appetites,

SPEAKER 4: seeing, hearing, and feeling are miracles, and each part and tag of me is a miracle.

WHITMAN: [TO BRONSON ALCOTT AND HENRY DAVID THOREAU, WHO APPEAR IN THE NEXT SCENE]

If I worship any particular thing
it shall be some of the spread of my body;

SPEAKER 1: You my rich blood, your milky stream pale strippings of my life;

SPEAKER 2: Breast that presses against other breasts it shall be you,

SPEAKER 3: Root of washed sweet-flag,

timorous pond-snipe,
nest of guarded duplicate eggs,
it shall be you,

SPEAKER 4: Mixed tussled hay of head and beard and brawn it shall be you,

WHITMAN: Trickling sap of maple, fibre of manly wheat, it shall be. you;

SPEAKER 1: Winds whose soft-tickling genitals rub against me it shall be you,

SPEAKER 2: Broad muscular fields,

SPEAKER 3: branches of liveoak,

SPEAKER 4: loving lounger in my winding paths, it shall be you,

WHITMAN: Hands I have taken, face I have kissed, mortal I have ever touched, it shall be you.


[ALCOTT AND HENRY DAVID THOREAU RESPOND TO WHITMAN
SCENE TITLE: 4 Bronson Alcott: "This morning with Henry David Thoreau"
ALCOTT ADDRESSES AUDIENCE; THOREAU ACCOMPANIES HIM, FOCUSING ON WHITMAN]


ALCOTT: This morning

with Henry David Thoreau to Brooklyn,
to see Walt Whitman.
I find this Whitman
likely to make his mark on Young America he affirming himself
to be its representative man and poet.


[WHITMAN AND THOREAU EYE EACH OTHER SUSPICIOUSLY; ALCOTT OBSERVES]


Thoreau and Whitman
each seemed planted fast in reserve,