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| − | Biography | + | =Biography= |
| − | (from the Paul Thek Project, accessed December 16, 2010) | + | (from the Paul Thek Project, accessed December 16, 2010 from http://www.ptproject.net/publ/biography.php) |
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| | Selected documents and letters by Paul Thek and correspondence partners. | | Selected documents and letters by Paul Thek and correspondence partners. |
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| | + | =See also:= |
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| | + | =[[Paul Thek: Bibliography, Alphabetical]]= |
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| − | =Bibliography, Alphabetical= | + | =[[Paul Thek: Bibliography, Chronological]]= |
| − | Listed alphabetically by names of authors:
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| − | Katz, Jonathan Ned. This entry was started on December 16, 2010, by Jonathan Ned Katz, who worked with Paul Thek in the 1960s as a textile designer in the textile design studio operated by Jack Prince. Re Paul's sexual preference, I certainly knew him as "gay". But I was in the closet at the time, which meant that I never discussed homosexuality with Paul. His friend/lover, Peter Hujar, would often drop by Prince Studio, on 42nd Street and Broadway, and we would sometime go out to dinner. I recall one dinner with Paul and Susan Sontag at the Paradise Restaurant, a huge Greek restaurant near or in the Port Authority Bus Terminal building.
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| − | [http://www.ptproject.net/publ/introduction.php Paul Thek Project.]
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| − | [http://www.newyorker.com/arts/critics/artworld/2010/11/01/101101craw_artworld_schjeldahl#ixzz18HqSLmVz Schjeldahl, Peter. The Art World, “Out-There Man,” The New Yorker, November 1, 2010, p. 116]
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| − | [http://en.wikipedia.org/wiki/Paul_Thek Paul Thek. Wikipedia.]
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| − | | |
| − | =Bibliography, Chronological=
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| − | Listed chronologically (from the Paul Thek Project, accessed December 16, 2010)
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| − | SONTAG, 1962
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| − | Sontag, Susan, Against Interpretation, New York: Farrar, Straus & Giroux, 1962.
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| − | | |
| − | PICARD, 1964
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| − | Picard, Lil, "The New School of New York", in: Das Kunstwerk, 6, no. 18, Dec 1964, pp. 26-27, 37.
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| − | | |
| − | | |
| − | STEVENS, 1964
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| − | Stevens, Elisabeth, "Reviews and Previews. New Names This Month: Paul Thek", in: Art News, 63, no. 6, Oct 1964, p. 16.*
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| − | | |
| − | ANN ARBOR, 1965
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| − | Ann Arbor, The University of Michigan Museum of Art (exh. cat.), One Hundred American Contemporary Drawings, with an introduction by Dore Ashton, Ann Arbor: The University of Michigan, 1965, fig. 89.
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| − | | |
| − | NEW LONDON, 1965
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| − | New London, Lyman Allyn Museum (exh. cat.), A Contemporary Collection of Painting and Sculpture. Selected from the Collection of Eleanor Ward, New London: Lyman Allyn Museum, 1965.*
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| − | NEW YORK, 1965
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| − | New York, Pace Gallery (exh. cat.), Beyond Realism, New York: Pace Gallery, 1965.*
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| − | | |
| − | ASHTON, 1966
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| − | Ashton, Dore, "Historicism and Respect of Tradition. New York Commentary: Paul Thek", in: Studio International, 171, June, 1966, p. 277-279.
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| − | | |
| − | BATTCOCK, 1966
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| − | Battcock, Gregory, "Humanism and Reality – Thek and Warhol", in: The New Art. A Critical Anthology, ed. by Gregory Battcock, New York: E.P. Dutton, 1966, pp. 235-242.
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| − | | |
| − | | |
| − | BERKSON, 1966
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| − | Berkson, William, "In the Galleries. Paul Thek", in: Arts Magazine, 40, no. 8, June 1966, p. 46.*
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| − | | |
| − | HESS, 1966
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| − | Hess, Thomas B., "The Grand Eccentrics", in: Art News Annual, 1966, pp. 5-25.*
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| − | | |
| − | PHILADELPHIA, 1966
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| − | Philadelphia, Institute of Contemporary Art, University of Pennsylvania (exh. cat.), The Other Tradition, Philadelphia: University of Pennsylvania, 1966, pp. 29-39.*
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| − | | |
| − | SMITHSON, 1966
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| − | "Smithson, Robert, "Entropy and the New Monuments", in: Artforum, 10, June, 1966, pp. 6-31
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| − | | |
| − | SWENSON, 1966
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| − | Swenson, G.R., "Beneath the Skin", in: Art News, 65, no. 2, April 1966, pp. 34-35, 66-67.
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| − | | |
| − | PINCUS-WITTEN, 1967
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| − | Pincus-Witten, Robert, "Thek’s Tomb…Absolute Fetishism…", in: Artforum, 6, no. 3, Nov 1967, pp. 24-25.
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| − | | |
| − | PITTSBURGH, 1967
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| − | Pittsburgh, Museum of Art, Carnegie Institute (exh. cat.), The Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Pittsburgh: Museum of Art, 1967/8.*
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| − | | |
| − | SMITHSON, 1967
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| − | Smithson, Robert, "A Tour of the Monuments of Passaic, New Jersey (1967)", in: Robert Smithson: The Collected Writings, ed. by Jack Flam, Berkeley/Los Angeles/London: University of California Press, 1996, pp. 68-74.
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| − | | |
| − | | |
| − | STEWART, 1967
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| − | Steward, Mary, "In the Galleries. Paul Thek", in: Arts Magazine, 41, Nov 1967, p. 62.*
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| − | | |
| − | | |
| − | BATTCOCK, 1968
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| − | Battcock, Gregory, Minimal Art. A Critical Anthology, New York: E.P. Dutton, 1968, p. 443.
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| − | | |
| − | DüSSELDORF, 1968
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| − | Düsseldorf, Kunsthalle (exh. cat.), Prospect 68, Düsseldorf: Kunsthalle, 1968, p. 31.*
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| − | | |
| − | | |
| − | GALERIE M.E. THELEN, 1968
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| − | Galerie M.E. Thelen, Paul Thek. A Procession in Honor of Aesthetic Progress. Objects to Theoretically Wear, Carry, Pull or Wave, Essen/REcklinghausen, 1968.
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| − | | |
| − | | |
| − | KASSEL, 1968
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| − | Kassel, documenta (exh. cat.), documenta 4, Kassel: Der documenta-Rat, vol. 2, 1968, pp. 140-141.
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| − | | |
| − | LONDON, 1968
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| − | London, The Institute of Contemporary Art (exh. cat.), The Obsessive Image 1960-1968, with a text by Mario Amaya, London: The Institute of Contemporary Art, pp. 6-7, 42, 68.
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| − | | |
| − | RIDGEFIELD, 1968
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| − | Ridgefield, Aldrich Museum of Contemporary Art (exh. cat.), Art of the 60’s. Selections from the Collection of Hanford Yang, Riegefield: Aldrich Museum of Contemporary Art, 1968.*
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| − | | |
| − | VON D., 1968
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| − | von D., A., " 'Kunst' aus der Kloake. Paul Thek zeigt bei Thelen 'Fleischobjekte' ", in: Westdeutsche Allgemeine Zeitung, 25.9.1968.
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| − | | |
| − | WILSON, 1968
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| − | Wilson, William, "Paul Thek: Love-Death", in: Art and Artists, 3, no. 1, April 1968, pp. 22-25.
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| − | | |
| − | AMSTERDAM, 1969
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| − | Amsterdam, Stedelijk Museum (exh. cat.), Paul Thek, Amsterdam: Stedelijk, 1969.
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| − | | |
| − | AMSTERDAM/STOCKHOLM, 1969
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| − | Amsterdam, Stedelijk Museum/Stockholm, Moderna Museet (exh. cat.), A Document made by Paul Thek and Edwin Klein, Amsterdam: Stedelijk, 1969.
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| − | | |
| − | | |
| − | ASHTON, 1969
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| − | Ashton, Dore, "Response to Crisis in American Art", in: Art in America, 57, no. 1, Jan/Feb, 1969, pp. 24-36.*
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| − | | |
| − | BLOK, 1969
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| − | Blok, Cor, "In Galerie Mickery, Loenersloot, tot 27/6", in: De Groene Amsterdammer, June 6, 1969.*
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| − | | |
| − | DE WILDE, 1969
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| − | De Wilde, Edy, "Paul Thek fokt duiven", in: Vanavond 8 uur – Uitkrant voor Amsterdammers, 8, April 1969, p. 6.*
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| − | | |
| − | FRACKMAN, 1969
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| − | Frackman, Noel, "In the Museums. Paul Thek", in: Arts Magazine, 43, no.7, May 1969, p. 62.*
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| − | | |
| − | FRENKEN, 1969
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| − | Frenken, Ton, "Kippenhok van Paul Thek", in: Brabants Dagblad, May 3, 1969.*
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| − | | |
| − | HELSINKI/TAMPERE, 1969
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| − | Helsinki, The Art Museum of Ateneum/Tampere, The Art Museum of Tampere, The Museum of Modern Art (exh. cat.), Ars ’69, Helsinki: The Art Museum of Ateneum/Tampere: The Art Museum of Tampere, 1969, n.p., fig. 148.
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| − | | |
| − | | |
| − | HUF, 1969
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| − | Huf, Emmy, "Paul Theks Kippenhoek in het Stedelijk. Interview", in: De Volkskrant, April 26, 1969.
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| − | | |
| − | KELK, 1969
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| − | Kelk, Fanny, "Rommelmaker", in: Het Parool, May 2, 1969.*
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| − | | |
| − | LAST, 1969
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| − | Last, Martin, "Reviews and Previews: Paul Thek", in: Art News, 68, no. 3, May, 1969, p. 73.*
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| − | | |
| − | MILAN, 1969
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| − | Milan, Galleria Milano (exh. cat.), Irritarte, with a text by Lea Vergine, Milan: Galleria Milano, 1969, p. 490.*
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| − | | |
| − | NEW YORK/BERKELY, 1969
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| − | New York, Whitney Museum of Art/Berkeley, University Arts Museum (exh. cat.), Human Concern/Personal Torment: The Grotesque in American Art, with a text by Robert Doty, New York: Whitney Museum of Art/Berkeley: University of California, 1969, fig. 160-162.
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| − | NOVAK, 1969
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| − | Novak, Barbara, American Painting of the 19th Century: Realism, Idealism, and the American Experience, New York: Harper & Row, 1969, S. 281.*
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| − | | |
| − | PIERRE, 1969
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| − | Pierre, Jose, "Pop Chocolat", in: L’Oeil, Aug/Sept, 1969, pp. 38-43, 94, fig. 5.*
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| − | | |
| − | PINCUS-WITTEN, 1969
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| − | Pincus-Witten, Robert, "Paul Thek. Stable Gallery", in: Artforum, 7, no.9, May 1969, pp. 63-64.
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| − | | |
| − | SCHJELDAHL, 1969
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| − | Schjeldahl, Peter, "New York Letter", in: Art International, May, 1969, p. 57.
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| − | | |
| − | TEGENBOSCH, 1969
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| − | Tegenbosch, L., "Paul Thek", in: De Volkskrant, May 1, 1969.*
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| − | | |
| − | TEGENBOSCH, 1969
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| − | Tegenbosch, L., "Museomasochisme", in: De Volkskrant, June 5, 1969.*
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| − | | |
| − | TIME, 1969
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| − | "Underwater Prophet", in: Time, June 13, 1969.*
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| − | | |
| − | WILLARD, 1969
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| − | Willard, Charlotte, "Violence and Art", in: Art in America, 57, no. 1, Jan/Feb, 1969, pp. 36-43.*
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| − | | |
| − | WINGEN, 1969
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| − | Wingen, Ed., "Paul Thek", in: De Telegraaf, May 14, 1969.*
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| − | | |
| − | KULTERMANN, 1970
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| − | "Kudi, Tetsumi. Everything is Metamorphosing", in: Leben und Kunst. Zur Funktion der Intermedia, ed. by Udo Kulterm., Tübingen: Verlag Ernst Wasmuth, 1970.
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| − | | |
| − | KöLN, 1970
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| − | Köln, Kunsthalle/Kunstverein (exh. cat.), Kölner Kunstmarkt '70, Köln: Kunsthalle/Kunstverein, 1970, n.p.
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| − | | |
| − | MINNEAPOLIS/CINCINNATI/DALLAS, 1970
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| − | Minneapolis, Walker Arts Center, Cincinnati, Cincinnati Art Museum, Dallas, The Dallas Museum of Fine Arts (exh. cat.), Figures/Environments, Minneapolis: Walker Arts Center, 1970/71, pp. 21-23, 39-40.
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| − | | |
| − | VERGINE, 1970
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| − | Vergine, Lea, "Appunti per un’analisti delle communicazioni irritanti", in: Metro, 16-17, 1970, p. 237-252.*
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| − | | |
| − | AMSTERDAM, 1971
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| − | Amsterdam, Kunsthistorisch Instituut (exh. cat.), Van Appel tot Sykora. Kunsthistorici verzamelen eigentijdse kunst, Amsterdam: Kunsthistorisch Instituut, 1971.*
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| − | | |
| − | | |
| − | KöLN, 1971
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| − | Köln, Kunsthalle/Kunstverein (exh. cat.), Kölner Kunstmarkt '71, Köln: Kunsthalle/Kunstverein, 1971, n.p.
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| − | | |
| − | LA JOLLA, 1971
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| − | La Jolla, La Jolla Museum of Art (exh. cat.), Continuing Surrealism, La Jolla: La Jolla Museum of Art, 1971.*
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| − | | |
| − | LAWRENCE, 1971
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| − | Lawrence, The Museum of Art, The University of Kansas (exh. cat.), Gene Swenson, retrospective for a critic, Lawrence: The University of Kansas, 1971.*
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| − | | |
| − | MALLANDER, 1971
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| − | Mallander, Jan Olof, "Att omsätta Gud I praktiken", in: Dagens Nyheter, Nov 30, 1971.*
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| − | | |
| − | MATZ, 1971
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| − | Matz, Av Rickard, "Vattnet Manniskan och Pyramiden", in: Tidningen Vi, Nov 19, 1971.*
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| − | | |
| − | NORDIN, 1971
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| − | Nordin, Vera, "Konstrond i Stockholm", in: Vasterbottens-kuriren, Nov 27, 1971.*
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| − | | |
| − | OHFF, 1971
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| − | Ohff, H., "Der Gegenstand als Kunstobjekt, das Kunstobjekt als Gegenstand" in: Magazin Kunst XI, 42, 1971, pp. 2248-2263, 2277.
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| − | | |
| − | ROMDAHL, 1971
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| − | Romdahl, Margareta, "Show på Moderna museet: Publiken far folja konstnarernas jobb", in: Dagens Nyheter, Nov 5, 1971.*
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| − | SYDHOFF, 1971
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| − | Sydhoff, Beate, "Det Nya Walden", in: Svenska Dagladet, Nov 14, 1971.*
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| − | | |
| − | THOMAS, 1971
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| − | Thomas, Karin, Bis Heute: Stilgeschichte der bildenden Kunst im 20. Jahrhundert, Cologne: M. Dumont Schauberg, 1971, pp. 14, 277, 347-348.
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| − | | |
| − | WASHINGTON, 1971
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| − | Washington, The Corcoran Gallery of Art (exh. cat.), Depth and Presence, Washington DC: The Corcoran Gallery, 1971.*
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| − | | |
| − | WUPPERTAL, 1971
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| − | Wuppertal, Von der Heydt-Museum (exh. cat.), Fünf Sammler – Kunst unserer Zeit, Wuppertal: Von der Heydt-Museum, 1971, n.p., fig. 54.
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| − | | |
| − | | |
| − | AMMANN, 1972
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| − | Ammann, Jean-Christophe, "Nachlese zur documenta 5", in: Kunst-Bulletin, 10, October, 1972, pp. 10-13, at 12.
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| − | | |
| − | BANN, 1972
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| − | Bann, Stephen, "Documenta 5. Le Vide et le plein", in: L'Oeil, Aug/Sept 1972, pp. 28-34.*
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| − | | |
| − | BEYER, 1972
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| − | Beyer, Jörg-H., "Kunst muss nicht immer schön sein", in: Pfälzischer Merkur, July 11, 1972.
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| − | | |
| − | BOURRéE, 1972
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| − | Bourrée, Manfred, " 'Ich bin, du bist, jeder ist ein Kunstwerk...' ", in: Ruhr-Nachrichten, 30.6.1972.
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| − | | |
| − | BRACKERT, 1972
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| − | Brackert, G., "Notizen aus der Aue", in: Deutsches Allgemeines Sonntagsblatt, 16.7.1972, S. 24.
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| − | | |
| − | BURNHAM, 1972
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| − | Burnham, Jack, "Objects and Ritual. Towards a Working Ontology of Art", in: Arts Magazine, 47, 3, Dec 1972/Jan 1973, pp. 28-32.*
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| − | | |
| − | CHRIST, 1972
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| − | Christ, Dorothea, "Paul Thek", in: Neue Zürcher Zeitung, Aug 4, 1972.*
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| − | DUISTER, 1972
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| − | Duister, Frans, "Paul Thek", in: De Tijd, Aug 19, 1972.*
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| − | FRANKFURTER RUNDSCHAU, 1972
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| − | Frankfurter Rundschau, "documenta 5", 14.6.1972.
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| − | | |
| − | FRENKEN, 1972
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| − | Frenken, Ton, "Paul Thek", in: Brabants Dagblad, July 15, 1972.*
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| − | | |
| − | FRENKEN, 1972
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| − | Frenken, Ton, "Paul Thek", in: Eindhovens Dagbad, Oct 7, 1972.*
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| − | GIBSON, 1972
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| − | Gibson, Michael, "Paul Thek", in: International Harald Tribune, July 8, 1972.*
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| − | GLOZER, 1972
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| − | Glozer, Laszlo, "Nicht die schönste, aber die auftregendste documenta", in: Süddeutsche Zeitung, July 6, 1972.
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| − | | |
| − | GOSLING, 1972
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| − | Gosling, Nigel, "Crystal balls in Kassel", in: Arts Guardian, July 10, 1972.
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| − | GRIBLING, 1972
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| − | Gribling, Frank, "Paul Thek", in: De Groene Amsterdammer, July 25, 1972.*
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| − | | |
| − | GöTEBORGSTIDNINGEN, 1972
| |
| − | "Grekist vittnesmal och hippieprotest på Modern museet", in: Göteborgstidningen, Dec 30, 1972.*
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| − | | |
| − | HESSISCHE ALLGEMEINE, 1972
| |
| − | Hessische Allgemeine, "Bilder im Vorübergehen", in: Hessische Allgemeine, Kassel, July 1, 1972.
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| − | | |
| − | | |
| − | JUFFERMANS, 1972
| |
| − | Juffermans, Jan, "Paul Thek", in: De Nieuwe Linie, Aug 18, 1972.*
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| − | | |
| − | | |
| − | KASSEL, 1972
| |
| − | Kassel, documenta (exh. cat.), documenta 5: Befragung der Realität. Bildwelten heute, ed. by Harald Szeemann, et. al, Kassel: Documenta, 1972, pp. 33, 16.77.
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| − | | |
| − | | |
| − | KELK, 1972
| |
| − | Kelk, Fanny, "Paul Thek", in: Het Parool, Nov 25, 1972.*
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| − | | |
| − | | |
| − | KERBER, 1972
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| − | Kerber, Bernhard, "Documenta und Szene Rhein-Ruhr", in: Art International, vol. 16, 8, Oct 1972, pp. 72-73.
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| − | | |
| − | | |
| − | KöLN, 1972
| |
| − | Köln, Kunsthalle/Kunstverein (exh. cat.), 6. Kölner Kunstmarkt, Köln: Buchhandlung Walter König, 1972, n.p.
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| − | | |
| − | | |
| − | L.O., 1972
| |
| − | L.O., "Zur documenta 5: Traum aus Erde, Holz und Pflanzen. US-Künstler in der Alten Galerie", in: Hessische Allgemeine, 6.1972
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| − | | |
| − | | |
| − | L.O., 1972
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| − | L.O., "Die neue Tugend Armut. Ausgestellte Träume", in: Hessische Allgemeine, 26.6.1972.
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| − | | |
| − | LEHMANN-BRAUNS, 1972
| |
| − | Lehmann-Brauns, Elke, "Der Wald im Museum. Paul Theks Landschaft mit Pyramide in Stockholm", in: Frankfurter Allgemeine Zeitung, Jan 4, 1972.*
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| − | | |
| − | ORZECHOWSKI, 1972
| |
| − | Orzechowski, Lothar, Stichworte zur documenta 5. Die Kunst befragt sich selbst, Kassel, 1972, p. 12.
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| − | | |
| − | ORZECHOWSKI, 1972
| |
| − | Orzechowski, Lothar, "Zwei Interviews. Harald Szeeman: Ein Stück Leben/Arnold Bode: Prinzip Hoffnung", in: Offset-Sonderbeilage der Allgemeinen, June 30, 1972.
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| − | | |
| − | | |
| − | PLEYNET, 1972
| |
| − | Pleynet, Marcelin, "Documenta 5" in: Art International, vol. 16, 8, Oct 1972, pp. 81-85, 104.
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| − | | |
| − | ROSENBERG, 1972
| |
| − | Rosenber, Harold, "The Art World. Inquiry '72: On the Edge", in: The New Yorker, September 9, 1972, pp. 72-82, at 80.
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| − | | |
| − | | |
| − | RUSSELL, 1972
| |
| − | Russell, John, "Paul Thek", in: Sunday Times, July 16, 1972.*
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| − | | |
| − | RUSSELL, 1972
| |
| − | Russell, John, "Expand your notions", in: Sunday Times, July 16, 1972.
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| − | | |
| − | | |
| − | SCHMID, 1972
| |
| − | Schmidt, Doris, "Perfektion, Protest und Traum. Kunst und Leben auf der Documenta 5. Ein Rückblick", in: Süddeutsche Zeitung, Oct 14-15, 1972.*
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| − | | |
| − | | |
| − | SELDIS, 1972
| |
| − | Seldis, Hanry J., "Documenta: Art Is Whatever Goes On in Artist's Head", in: Los Angeles Times, July 9, 1972, p. 60.
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| − | | |
| − | SELDIS, 1972
| |
| − | Seldis, Henry J., "Bizarre 'Documenta V' is unrivaled among summer European art surveys", in: Globe-Democrat St. Louis, July 30, 1972.
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| − | | |
| − | | |
| − | SELLO, 1972
| |
| − | Sello, Gottfried, "Paul Thek", in: Zeit Magazin, 31, Aug 4, 1972.*
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| − | | |
| − | SELLO, 1972
| |
| − | Sello, Gottfried, "Paul Thek", in: Die Zeit, Sept 15, 1972.*
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| − | | |
| − | | |
| − | STERN, 1972
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| − | Stern, "Ein Warenhaus für Wirklichkeit mit Selbstbedienung", in: Stern, 36, August 27, 1972, p. 28.
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| − | | |
| − | SYDHOFF, 1972
| |
| − | Sydhoff, Beate, "Before Nature Disappears, Let Us Return: Una Mostra a Stoccolma", in: Domus, March 1972, p. 48.*
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| − | | |
| − | TAGES-ANZEIGER MAGAZIN, 1972
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| − | Tages-Anzeiger Magazin, "Documenta 5", in: Tages-Anzeiger Magazin, 30, July 29, 1072, p. 13.
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| − | TOWNSEND, 1972
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| − | Townsend, Charlotte, "Documenta 5", in: Artscanada, Oct/Nov 1972, pp. 42-45.*
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| − | TUITJER, 1972
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| − | Tuitjer, Koos, "Paul Thek", in: De Gelderlander, July 29, 1972.*
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| − | | |
| − | VAN DER MARCK, 1972
| |
| − | Van der Marck, Jan, "Venice & Kassel: The Old and the New Politics", in: Art in America, 24.9.-19.11.1972, pp. 129-137, at 129, 135.
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| − | | |
| − | AMMANN, 1973
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| − | Ammann, Jean-Christophe, "Ark, Pyramid, Easter", in: Luzern 1973, n.p.
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| − | | |
| − | BURNHAM, 1973
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| − | Burnham, Jack, "Objects and Ritual: Towards a Working Ontology of Art", in: Arts Magazine 47, no. 3, Dec/Jan 1972/73, pp. 28-32.*
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| − | | |
| − | DUISBURG, 1973
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| − | Duisburg, Wilhelm-Lehmbruck-Museum (exh. leaflet), Paul Thek, New York. Environment "Die Krippe", with a text by Siegfried Salzmann, Duisburg: Wilhelm-Lehmbruck-Museum, 1973.
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| − | | |
| − | DUISBURGER, 1973
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| − | "Statt Christkind glaserne Weltkugel", in: Duisburger, Dec 12, 1973.
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| − | | |
| − | KöLN, 1973
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| − | Köln, Kunsthalle (exh. cat.), 7. Kölner Kunstmarkt, Köln: Kunsthalle, Galerie M. E. Thelen, 1973, p. 107.*
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| − | | |
| − | KöLN, 1973
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| − | Köln, Wallraf-Richartz Museum (exh. cat.), Bildwerke und Objekte. Neuzugänge seit 1965, ed. by Rainer Budde and Evelyn Weiss, Köln: Wallraf-Richartz Museum, 1973, pp. 57-58, fig. 115, 116.
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| − | | |
| − | LUZERN, 1973
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| − | Luzern, Kunstmuseum (exh. cat.), Ark, Pyramid, Easter. A Visiting Group Show. Ann Wilson, Wahundra, Franz Deckwitz, Lily, Michèle, Paul Thek, Jediko, Charles Shuts, Edwin Klein, Cindy Lubar, with a text by Jean-Christophe Ammann, Luzern: Kunstmuseum, 1973.
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| − | MONTEIL, 1973
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| − | Monteil, Annemarie, "Spiel mir das Lied vom Tod. Paul Thek mit ‘Arche, Pyramide, Ostern’, im Kunstmuseum Luzern", in: National Zeitung Basel, April 18, 1973.
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| − | MüLLER, 1973
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| − | Müller, Hans-Joachim, "Still verblühte Blaue Blume", in: Basler Nachrichten, 2.5.1973.
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| − | | |
| − | NEW YORK LAW JOURNAL, 1973
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| − | "Surrogate’s Court", in: New York Law Journal, Dec 17, 1973.*
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| − | | |
| − | PLUNIEN, 1973
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| − | Plunien, Eo, "Im Stroh der Krippe liegt die Erde", in: Die Welt, Dec 24, 1973.
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| − | | |
| − | RHEINISCHE POST, 1973
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| − | "Geburtsgrotte mit beleuchteter Erdkugel", in: Rheinische Post, Dec 12, 1973.*
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| − | | |
| − | ROELLI, 1973
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| − | Roelli, Eva, "Gruppenbild mit Arche: ‘Ark, Pyramid, Easter’ eine Totenkultstätte des Amerikaners Paul Thek im Luzerner Kunstmuseum", in: Luzerner Tagblatt, May 31, 1973.
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| − | VON NETTER, 1973
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| − | Von Netter, Maria, "Lebensangst und Kerzenschimmer," in: Die Weltwoche, 15, April 11, 1973.*
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| − | | |
| − | WESTDEUTSCHE ALLGEMEINE ZEITUNG, 1973
| |
| − | "Paradies entsteht um Grafikschränke. Museumsdirektor holt Teppich vom Sperrmüll", in: Westdeutsche Allgemeine Zeitung, Nov 29, 1973.*
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| − | | |
| − | WESTDEUTSCHE ALLGEMEINE ZEITUNG, 1973
| |
| − | "Weltkugel auf Stroh", in: Westdeutsche Allgemeine Zeitung, Dec 12, 1973.*
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| − | | |
| − | CATOIR, 1974
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| − | Catoir, Barbara, "Individuelle Mythologien", in: Das Kunstwerk, 27, no. 2, March, 1974, pp. 3-35.
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| − | | |
| − | HENRI, 1974
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| − | Henri, Adrian, Total Art. Environments, Happenings, and Performance, New York: Praeger Publishers, 1974, pp. 53, 56-57.
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| − | | |
| − | SZEEMANN, 1974
| |
| − | Szeemann, Harald, "Dank an Paul Thek" (1975), in: Zeichen des Glaubens - Geist der Avantgarde: Religiöse Tendenzen in der Kunst des 20. Jahrhunderts, ed. by Wieland Schmidt, Stuttgart: Electa/Klett-Cotta, 1980; in: Szeemann, Harald, Individuelle Mythologien, Berlin: Merve, 1985, S. 157-164.
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| − | | |
| − | SZEEMANN, 1974
| |
| − | Szeemann, Harald, "Paul Thek. Entretien avec Harald Szeemann", in: L’art vivant, 48, April 1974, pp. 10-13; "Gespräch mit Paul Thek", in: Individuelle Mythologien, Berlin: Merve, 1985, S. 165-177; "Interview Paul Thek Duisburg, 12 December 1973", in: Rotterdam/Berlin/Barcelona/Marseilles 1995/96, pp. 83-87.
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| − | | |
| − | WESTDEUTSCHE ALLGEMEINE ZEITUNG, 1974
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| − | "Krippe von Thek ist Anlass eines Podiumsgesprächs", in: Westdeutsche Allgemeine Zeitung, Jan 18, 1974.*
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| − | | |
| − | WESTDEUTSCHE ALLGEMEINE ZEITUNG, 1974
| |
| − | "Bei Thek scheiden sich die Geister", in: Westdeutsche Allgemeine Zeitung, Jan 21, 1974.*
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| − | | |
| − | CHICAGO, 1975
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| − | Chicago, Museum of Contemporary Art (exh. cat.), Menace, Chicago: Museum of Contemporary Art, 1975.*
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| − | | |
| − | POPPER, 1975
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| − | Popper, Frank, Art, Action, and Participation, New York: New York University Press, 1975, p. 100.
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| − | | |
| − | ROSENBERG, 1975
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| − | Rosenberg, Harold, Art on the Edge, New York: Macmillan Publishing, 1975, pp. 268-271.
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| − | | |
| − | L’OEIL, 1976
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| − | "Paul Thek, Galerie Iolas, Paris: Exposition", L'Oeil, April 1976, pp. 53-54.*
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| − | | |
| − | MICHEL, 1976
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| − | Michel, Jacques, "Paul Thek", in: Le Monde, July 30, 1976.*
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| − | | |
| − | PARIS, 1976
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| − | Paris, Galerie Alexandre Iolas (exh. cat.), Paul Thek, with a text by Paul Thek, Paris: Galerie Alexandre Iolas, 1976, n.p.
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| − | | |
| − | SONTAG, 1976
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| − | Sontag, Susan, "Paul Thek", in: Die Zeit, 18, 1976.*
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| − | | |
| − | VENICE, 1976
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| − | Venice, La Biennale di Venezia (exh. cat.), Environments, Participation, Cultural Structures, vol. 2, Venice: La Biennale, 1976, pp. 377.
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| − | | |
| − | ANDRE, 1977
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| − | Andre, Michael, "Paul Thek", in: Unmuzzled Ox, 4, 3, March 1977, pp. 44-48.*
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| − | | |
| − | CURRY, 1977
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| − | Curry, Bill, "Watch Tower Rise on Penn Campus", in: Philadelphia Inquirer, Nov 6, 1977.*
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| − | | |
| − | DELEHANTY, 1977
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| − | Delehanty, Suzanne, "Paul Thek. Seeking the Way", in: Philadelphia 1977, pp. 56-60.
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| − | | |
| − | DONOHOE, 1977
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| − | Donohoe, Victoria, "A Believer in Artists Rather Than Art", in: Philadelphia Inquirer, Nov 6, 1977.*
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| − | | |
| − | FRENCH-FRAZIER, 1977
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| − | French-Frazier, Nina, "Paul Thek", in: Art News, 76, 3, March 1977, pp. 136-37.*
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| − | | |
| − | LAIKEN, 1977
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| − | Laiken, Sue, "Artist Creates Multi-Media Environmental Work in ICS", in: Daily Pennsylvanian, Nov 9, 1977.*
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| − | | |
| − | OZ, 1977
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| − | Oz, Dave, "Paul Thek", in: Contemporary Artists, ed. by Colin Naylor/Genesis P. Orridge, London: St. James Press/New York: St. Martin’s Press, 1977, p. 954.*
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| − | | |
| − | PHILADELPHIA, 1977
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| − | Philadelphia, Institute of Contemporary Art, University of Pennsylvania (exh. cat.), Paul Thek/Processions: The Tower of Babel, Uncle Tom's Cabin, Bandwagon, The Burning Bridge, Bo Jangles, Jack Lantern, Paul Thek, Zhivago, ed. by Suzanne Delahanty, Philadelphia: University of Pennsylvania Press, 1977.
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| − | | |
| − | RATCLIFF, 1977
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| − | Ratcliff, Carter, "Paul Thek at Brooks Jackson/Iolas", in: Art in America, 65, 3, May/June 1977, pp. 111-112.
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| − | | |
| − | RUSSELL, 1977
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| − | Russell, John, "Paul Thek", in: The New York Times, Jan 21, 1977.*
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| − | | |
| − | DUISBURG, 1978
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| − | Duisburg, Wilhelm Lehmbruck Museum (coll. cat.), Das Wilhelm Lehmbruck Museum Duisburg, ed. by Siegfried Salzmann, Recklinghausen: Verlag Aurel Bougers, 1978, S. 190, 318-319, fig. 490, 491-493.
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| − | | |
| − | THEK, 1978
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| − | Thek, Paul, "Unterrichtskonzept: 4-dimensionales Design, 1978", in: Bippus, Elke/Glasmeier Michael (ed.), Künstler in der Lehre, Hamburg: Philo & Philo Fine Arts, 2007, pp. 163-173.
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| − | | |
| − | VALK, 1978
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| − | Valk, Felix, "Verhalend Landschap", in: Magazijn, no. 73, dec, 1978, p. 27.*
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| − | | |
| − | DE VOLKSKRANT, 1979
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| − | "Paul Thek", in: De Volkskrant, Jan 12, 1979.*
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| − | | |
| − | JUFFERMANS, 1979
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| − | Juffermans, Jan, "Bizar kunst-park in de Lijnbaan", in: Algemeen Dagblad, Jan 10, 1979.*
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| − | | |
| − | ROTTERDAM, 1979
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| − | Rotterdam, Lijbaancentrum (exh. cat.), Paul Thek, Rotterdam, 1979.*
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| − | | |
| − | ROTTERDAMS NIEUWSBLAD, 1979
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| − | ""Hoopvol voortgaan, vragend
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| − | | |
| − | TENTOONSTELLINGSNIEUWS, 1979
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| − | "Jack’s Procession", in: Tentoonstellingsnieuws, no. 15, Jan 15, 1979.*
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| − | | |
| − | FLOOD, 1980
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| − | Flood, Richard, "Reviews: Paul Thek, Brooks Jackson Gallery Iolas", in: Artforum, May 1980, p. 74.
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| − | | |
| − | LUCIE-SMITH, 1980
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| − | Lucie-Smith, Edward, Art in the Seventies, Oxford: Phaidon, 1980, p. 102.
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| − | | |
| − | RUSSELL, 1980
| |
| − | Russell, John, "Paul Thek", in: The New York Times, Feb 29, 1980.*
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| − | | |
| − | SCHMIED, 1980
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| − | Schmied, Wieland, Zeichen des Glaubens. Geist der Avantgarde. Religiöse Tendenzen in der Kunst des 20. Jahrhunderts, Stuttgart: Electa/Klett-Cotta, 1980, pp. 293-295.
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| − | STEENHUIS, 1980
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| − | Steenhuis, Paul, in: Het Bestaan, no. 1, 1980.*
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| − | | |
| − | SZEEMANN, 1980
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| − | Szeemann, Harald, "Arte degli Settanta (Dalla mostra all'arte)", in: La Biennale di Venezia, Settore Arti Visive, catalogo generale, Venezia: Edizioni "La Biennale di Venezia", 1980, pp. 14, 15, 40.
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| − | | |
| − | VENICE, 1980
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| − | Venice, La Biennale di Venezia (exh. cat.), Settore Arti Visive, L’arte degli anni settanta, Milan: Electa Editrice, pp. 14-15, 40.
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| − | | |
| − | FLOOD, 1981
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| − | "Flood, Richard, "Paul Thek. Real Misunderstanding", in: Artforum, 20, no. 2, Oct 1981, pp. 48-53.
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| − | | |
| − | FRANK, 1981
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| − | Frank, Elisabeth, "Paul Thek at Brooks Jackson Iolas", in: Art in America, 69, no. 6, Summer 1981, pp. 127-28.
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| − | | |
| − | GLOZER, 1981
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| − | Glozer, Laszlo, Westkunst. Zeitgenössische Kunst seit 1939, Köln: DuMont Buchverlag, 1981, p. 306, 307, 465.
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| − | | |
| − | KOLKE, 1981
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| − | Kolke, Jan Kees, in: Haagsche Courant, Feb 2, 1981.
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| − | | |
| − | KöLN, 1981
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| − | Köln, Messe (exh. cat.), Rheinhallen der Kölner Messe, Köln: Messe, 1981.*
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| − | | |
| − | LONDON, 1981
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| − | London, Serpentine Gallery (exh. cat.), Continuous Creation – Rooms by Robert Filiou, Bruce Lacey and Jill Bruce, Anna Oppermann, Paul Thek, with a text by Michael Compton, London: Serpentine Gallery, 1981, n.p.
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| − | | |
| − | LOUISIANA, 1981
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| − | Louisiana, Museum of Modern Art/Basel, Kunsthalle/München, Städtische Galerie im Lenbachhaus/Ludwigshafen, Wilhelm-Hack-Museum (exh. cat.), Drawing Distinctions. American Drawings of the Seventies, ed. by Alfred Kren, with texts by Alfred Kren, Carter Ratcliff and Peter Schjeldahl, München: Prestel, 1981, pp. 193-200.
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| − | | |
| − | CINCINNATI, 1982
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| − | Cincinnati, The Contemporary Arts Center (exh. cat.), Tableaux. Nine Contemporary Sculptors, Cincinnati: The Contemporary Arts Center, 1982/83, n.p.
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| − | | |
| − | GARDNER, 1982
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| − | Gardner, Paul, "The Stable wasn’t ‘just another gallery’ ", in: ARTnews, 85, no. 5, May 1982, pp. 108-113.
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| − | | |
| − | ARTNER, 1983
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| − | Artner, Alan, "The Return of the Human Touch: Figurative Sculpture is Really Back in Vogue", in: Chicago Tribune, May 17, 1983.*
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| − | | |
| − | CHICAGO, 1983
| |
| − | Chicago, The Renaissance Society at the University of Chicago (exh. cat.), The Sixth Day: A Survey of Recent Developments in Figurative Sculpture, with a text by Richard Flood, Chicago: The Renaissance Society at the University of Chicago, 1983, pp. 3-5, 21.
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| − | LONDON, 1983
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| − | London, The Tate Gallery (exh. cat.), New Art at the Tate Gallery 1983, ed. by Michael Compton, London: The Tate Gallery, 1983, pp. 20, 48, 57, 71.
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| − | | |
| − | OLANDER, 1983
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| − | Olander, W. "Missing Persons", in: Artnews, 82, 2, Feb 1983, pp. 112-115.*
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| − | PITTSBURGH, 1983
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| − | Pittsburgh, Pittsburgh Plan for Art (exh. cat.), Urban Pulses: The Artist and the City, with a text by Mel McCombie, Pittsburgh: Pittsburgh Plan for Art, 1983, pp. 8, 13-14, 19-20.
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| − | SILVERTHORNE, 1983
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| − | Silverthorne, J., "Paul Thek: Iolas-Jackson Gallery", in: Artforum, vol. 21, no. 10, June 1983, pp. 77-78.
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| − | AMSTERDAM, 1984
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| − | Amsterdam, Stedelijk Museum (exh. cat.), 20 jaar verzamelen, aanwinsten Stedelijk Museum Amsterdam 1963-1984, Amsterdam: Stedelijk Museum, 1984, p. 299.*
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| − | MCCLINTIC, 1984
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| − | McClintic, Miranda, "Content: Meaning and Referentiality", in: Washington, The Hirshhorn Museum and Sculpture Garden (exh. cat.), Content. A Contemporary Focus 1974-1984, ed. by Howard N. Fox, Miranda McClintic, Phyllis Rosenzweig, Washington: Smithsonian Institution Press, 1984, pp. 25-38.
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| − | ROSENZWEIG, 1984
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| − | Rosenzweig, Phyllis, "Chronology", in: Washington, The Hirshhorn Museum and Sculpture Garden (exh. cat.), Content. A Contemporary Focus 1974-1984, ed. by Howard N. Fox, Miranda McClintic, Phyllis Rosenzweig, Washington: Smithsonian Institution Press, 1984, pp. 166-180.
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| − | WASHINGTON, 1984
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| − | Washington, The Hirshhorn Museum and Sculpture Garden (exh. cat.), Content. A Contemporary Focus 1974-1984, ed. by Howard N. Fox, Miranda McClintic and Phyllis Rosenzweig, Washington: Smithsonian Institution Press, 1984, pp. 30, 152, 169, 174.
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| − | FLEMING, 1985
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| − | Fleming, L., "Issures are the Issues", in: Artnews, vol. 84, no. 1, Jan 1985, pp. 84-89.
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| − | | |
| − | FLOOD, 1985
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| − | Flood, Richard, "Memento Mori", in: Philadelphia, Goldie Paley Gallery, Moore College of Art (exh. cat.), Memento Mori, ed. by Elsa Weiner Longhauser, Philadelphia: Goldie Paley Gallery, Moore College of Art, 1985, pp. 1-7.
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| − | HAASE, 1985
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| − | Haase, Amine, "Chambre d’amis", in: Kunstforum International, vol. 85, Sept./Oct. 1986, pp. 256-261.
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| − | | |
| − | PHILADELPHIA, 1985
| |
| − | Philadelphia, Goldie Paley Gallery, Moore College of Art (exh. cat.), Memento Mori, ed. by Elsa Weiner Longhauser, with a text by Richard Flood, Philadelphia: Goldie Paley Gallery, Moore College of Art, 1985, pp. 6, 9, 11.
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| − | SãO PAULO, 1985
| |
| − | São Paulo, Bienal Internacional de São Paulo (exh. cat.), 18 Bienal Internacional de São Paulo, with an introduction by Sheila Leirner, São Paulo: Fundacão Bienal, et al., 1985.*
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| − | | |
| − | GENT, 1986
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| − | Gent, Museum van Hegendaagse Kunst (exh. cat.), Chambres d’Amis, ed. by Jan Hoet, Gent: Museum van Gegendaagse Kunst, 1986, pp. 246-251.
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| − | KUSPIT, 1986
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| − | Kuspit, Donald, "Report from São Paolo. A New Brasil. A New Bienal", in: Art in America, 74, no. 3, March 1986, pp. 31-35.
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| − | | |
| − | KöLN, 1986
| |
| − | Köln, Museum Ludwig (coll. cat.), Museum Ludwig Köln. Gemälde, Skulpturen, Environments vom Expressionismus zur Gegenwart, Bestandeskatalog, ed. by Siegfried Gohr, München: Prestel Verlag, 1986, p. 259, fig. pp. 258-259.
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| − | RUHRBERG, 1986
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| − | Ruhrberg, Karl, Die Kunst im 20. Jahrhundert. Das Museum Ludwig Köln, Stuttgart: Klett-Cotta, 1986, pp. 39, 301, fig. p. 302.
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| − | LEVIN, 1987
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| − | Levin, Kim, "Paul Thek", in: The Village Voice, May 5, 1987.*
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| − | ST. LOUIS/MIDDLEBURY, TUCSON, 1987
| |
| − | St. Louis, Laumeier Sculpture Park and Gallery/Middlebury, Johnson Gallery, Middlebury College/Tucson, University of Arizona Museum of Art (exh. cat.), The Success of Failure, with a text by Joel Fisher, New York: Independent Curators Incorporated, 1987, p. 11.
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| − | ZüRICH, 1987
| |
| − | Zürich, Kunsthaus (exh. cat.), Artcake 1980-1986. Private Sammeln Gegenwartskunst, Zürich: Kunsthaus, 1987.*
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| − | | |
| − | CUMMINGS, 1988
| |
| − | "Paul Thek", in: Dictionary of Contemporary American Artists, Fifth edition, ed. by Paul Cummings, New York: St. Martin’s Press, 1988, pp. 624-625.
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| − | MORGAN, 1988
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| − | Morgan, Robert, "Paul Thek", in: Arts Magazine, 64, 2, Oct 1988, pp. 103-104.*
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| − | ROBINSON/LEBOWITZ, 1988
| |
| − | Robinson, Walter/Lebowitz, Cathy, "Obituaries", in: Art in America, October 1988, p. 226.
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| − | SONTAG, 1988
| |
| − | Sontag, Susan, AIDS and Its Metaphors, New York: Farrar, Straus & Giroux, 1988.
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| − | LEVIN, 1989
| |
| − | Levin, Kim, "Rod Rhodes/Paul Thek", in: The Village Voice, Dec 12, 1989.*
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| − | NALLEY, 1989
| |
| − | Nalley, Tom, "Life Work", in: Out Week, Dec 10, 1989.*
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| − | | |
| − | NEW YORK, 1989
| |
| − | New York, Phyllis Kind Gallery (exh. cat.), "human concern/personal torment. The Grotesque in American Art" Revisited*: After the exhibition at the Whitney Museum of American Art, 14 October – 30 November 1969, curated by Robert Doty, ed. by Robert Doty and Phyllis Kind, New York: Phyllis Kind Gallery, 1989, p. 20.
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| − | RUSSELL, 1989
| |
| − | Russell, John, "Rod Rhodes and Paul Thek: The Clocktower", in: The New York Times, Dec 8, 1989.*
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| − | | |
| − | COTTER, 1990
| |
| − | Cotter, Holland, "Thek’s Social Reliquaries", in: Art in America, 78, June 1990, pp. 132-142, 195-97, 205.
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| − | | |
| − | KACHUR, 1990
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| − | Kachur, Lewis, "Beauty is dead (That’s its beauty)", in: Art international, 33, 1990, pp. 62-65.
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| − | | |
| − | LEVIN, 1990
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| − | Levin, Kim, "Star Thek", in: The Voice, June 26, 1990, p. 91.
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| − | | |
| − | LEVIN, 1990
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| − | Levin, Kim, "Paul Thek", in: The Village Voice, July 3, 1990, p. 97.
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| − | | |
| − | MCKENNA, 1990
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| − | McKenna, Kristine, "A Contemporary Assemblage of Politics, Desire", Los Angeles Times, Aug 21, 1990, p. F4.
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| − | | |
| − | VILLAGE VOICE, 1990
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| − | "Paul Thek", in: Village Voice, July 3, 1990.*
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| − | | |
| − | ANDRE, 1991
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| − | Andre, Michael, "Paul Thek. Firecracker with the Fuse Burning", in: Cover, Nov 1991, p. 15.
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| − | | |
| − | COTTER, 1991
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| − | Cotter, Holland, "Paul Thek. To Be Innocent of Corruptions. Praise the Lord – Paul Thek", in: Parkett, 27, 1991, pp. 125-129/"Paul Thek. Frei sein von jeglicher Verdorbenheit. Gelobt sei der Herr – Paul Thek", in: Parkett, 27, 1991, pp. 130-135.
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| − | GOPNICK, 1991
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| − | Gopnick, Adam, "Paul Thek", in: The New Yorker, Nov 11, 1991.*
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| − | | |
| − | JAECKEL, 1991
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| − | Jaeckel, Claudia, "Paul Thek bei Carol Johnsson. Leben in Rosa", in: Süddeutsche Zeitung, 12.11.1991.
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| − | | |
| − | KALINA, 1991
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| − | Kalina, Richard, "Real Dead", in: Arts Magazine, 66, 4, Dec 1991, pp. 48-53.
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| − | | |
| − | LEINZ, 1991
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| − | Leinz, Gottlieb, "Paul Thek. Oh come all ye faithfull, 1973", in: Bildhauerzeichnungen des Wilhelm-Lehmbruck-Museums Duisburg (exh. cat.), Duisburg: Wilhelm-Lehmbruck-Museum 1991, pp. 92-93, 205.
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| − | | |
| − | LEVIN, 1991
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| − | Levin, Kim, "Paul Thek", in: The Village Voice, Nov 12, 1991.*
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| − | | |
| − | MILWAUKEE, 1991
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| − | Milwaukee, Milwaukee Art Museum/Oklahoma, Oklahoma City Art Museum/Houston, Contemporary Art Museum (exh. cat.), Word as Image: American Art 1960-1990, with texts by Russell Bowman and Dean Sobel, Milwaukee: Milwaukee Art Museum/Oklahoma: Oklahoma City Art Museum/Houston: Contemporary Art Museum, 1991, pp. 90, fig. 121, 122.
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| − | SMITH, 1991
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| − | Smith, Roberta, "Paul Thek", in: The New York Times, Nov 8, 1991.*
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| − | | |
| − | AMMANN, 1992
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| − | Ammann, Jean-Christophe, "Ark, Pyramid, Easter", in: Turin, 1992, pp. 31-32, 43.
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| − | | |
| − | CAMERON, 1992
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| − | Cameron, Dan, "The Changing Tide", in: Art & Auction, Jan 1992."
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| − | | |
| − | KELLEY, 1992
| |
| − | Kelley, Mike, "Death and Transfiguration. A letter from America", in: Turin 1992, pp. 15-20, 39-43; "Tod und Erklärung. Ein Brief aus Amerika", in: Texte zur Kunst, 2, no. 8, Dec 1992, pp. 43-49; "Paul Thek, mort et transfiguration", in: art press, 183, Sept 1993, pp. 21-24.
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| − | | |
| − | | |
| − | LEVIN, 1992
| |
| − | Levin, Kim, "Mssr. B's Curio Shop", in: The Village Voice, July 14, 1992."
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| − | | |
| − | MAGNANI, 1992
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| − | Magnani, Gregorio, "Paul Thek" in: Turin, 1992, pp. 9-12/38-39.
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| − | | |
| − | | |
| − | MULATERO, 1992
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| − | Mulatero, Ivana, "Castello di Rivera", in: Juliet, no. 60, Dec 1992, p. 68.*
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| − | | |
| − | | |
| − | NEW YORK, 1992
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| − | New York, Thread Waxing Space (exh. cat.), MSSR. B’s Curio Shop, New York: Thread Waxing Space, 1992.*
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| − | | |
| − | | |
| − | SMITH, 1992
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| − | Smith, Roberta, "The Curio Shop", in: The New York Times, July 3, 1992.*
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| − | | |
| − | TURIN, 1992
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| − | Turin, Castello di Rivara (exh. cat.), Paul Thek, texts by Jean-Christophe Ammann, Mike Kelly and Gregorio Magnani, Turin: Castello di Rivara, 1992.
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| − | | |
| − | ADOLPHS, 1993
| |
| − | Adolphs, Volker, Der Künstler und der Tod. Selbstdarstellungen in der Kunst des 19. und 20. Jahrhunderts, Köln: König, 1993.
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| − | | |
| − | ARNHEM, 1993
| |
| − | Arnhem, Gemeentemuseum (exh. cat.), The Uncanny, with a text by Mike Kelley, Gent: Snoeck-Ducaju & Zoon/Los Angeles: Fred Hoffman, 1993, fig. 9, 21.*
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| − | | |
| − | BREMEN, 1993
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| − | Bremen, Kunsthalle (coll. cat.), Katalog der Neuerwerbungen und Schenkungen 1985-1993, ed. by Siegfried Salzmann and Heiderose Langer, Bremen: Kunsthalle, 1993, p. 130.
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| − | | |
| − | CHOON, 1993
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| − | Choon, Angela, "Not What You'd Expect", in: Art & Antiques, Dec 1993, p. 27.*
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| − | | |
| − | FRANKE, 1993
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| − | Franke, Marietta, Work in Progress – Art is Liturgy. Das historisch-prozessuale und betrachterbezogene Ausstellungskonzept von Paul Thek. Zu seinen Ausstellungen der sechziger und siebziger Jahre, Bern/Frankfurt: Lang, 1993.
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| − | | |
| − | | |
| − | FRANKE, 1993
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| − | "Franke, Marietta, "I don’t want to give myself to trash.. Eine Antwort auf den Artikel des Künstlers Mike Kelley über Paul Thek (1933-1988) ", in: Texte zur Kunst, 3, no. 9, 1993, pp. 153-156
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| − | | |
| − | GREENVILLE, 1993
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| − | Greenville, South Carolina, Greenville County Museum of Art (exh. cat.), Already Buddha, Greenville, South Caroline: Greenville County Museum of Art, 1993, p. 16.*
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| − | | |
| − | KASSEL, 1993
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| − | Kassel, Museum Fridericianum (exh. cat.), Nachtschattengewächse/The Nightshade Family, with texts by Diedrich Diedrichsen, Jan Avgikos, Veit Loers, Kassel: Museum Fredericianum, 1993, pp. 90-91.
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| − | | |
| − | KELLEY, 1993
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| − | Kelley, Mike, The Uncanny, Arnhem: Sonsbeek, 1993.*
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| − | | |
| − | KöLN, 1993
| |
| − | Köln, Diözesanmuseum (exh. cat.), Wiederbegegnung mit Unbekanntem. Ein Rundgang, Köln: Erzbischöfliches Diözesanmuseum, 1993, pp. 28-29.*
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| − | | |
| − | | |
| − | LEVIN, 1993
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| − | Levin, Kim, "Voice Choices", in: The Village Voice, Dec 28, 1993, pp. 67-68.*
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| − | | |
| − | MACK, 1993
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| − | Mack, Gerhard, "Gewürfelte Brocken aus Fleisch," in: Basler Zeitung, February, 1993.*
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| − | | |
| − | MAURER, 1993
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| − | Maurer, Simon, "Paul Thek at Mai 36 Galerie." Metropolis, no. 2, April 1993, p. 47.*
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| − | | |
| − | MIAMI, 1993
| |
| − | Miami-Dade, Community College (exh. cat.), Lucian Freud – Paul Thek: etchings, Miami: Miami-Dade Community College, Kendall Campus Art Gallery, 1993.*
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| − | | |
| − | NEW YORK, 1993
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| − | New York, Whitney Museum of American Art (exh. cat.), Abject Art: Repulsion and Desire in American Art, with texts Jack Ben-Levi, Leslie C. Jones and Simon Taylor, New York: Whitney Museum of American Art, 1993, pp. 11, 14, 104.
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| − | | |
| − | SMITH, 1993
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| − | Smith, Roberta, "Weekend", in: The New York Times, Jan 15, 1993.*
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| − | | |
| − | SMITH, 1993
| |
| − | Smith, Roberta, "Paul Thek: Painting from the 1970’s and 1980’s", in: The New York Times, December 10, 1993.*
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| − | | |
| − | THE PRINT COLLECTOR’S NEWSLETTER, 1993
| |
| − | "A Maverick Ahead of His Time", in: The Print Collector’s Newsletter, 23, no. 6, Jan/Feb 1993.*
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| − | | |
| − | TURIN, 1993
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| − | Turin, Castello di Rivara (exh. cat.), Viaggio a Los Angeles, with a text by Mike Kelley, Turin: Castello di Rivara, 1993.*
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| − | | |
| − | ZURICH, 1993
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| − | Zurich, Mai 36 Gallery (exh. cat.), Paul Thek. Skulpturen und Zeichnungen 1964-1976, Zurich 1993.*
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| − | | |
| − | CLARKSON, 1994
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| − | Clarkson, David, "Paul Thek", in: Flash Art, 27, no. 175, March/April 1994, pp. 106-107.*
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| − | | |
| − | FRANKE, 1994
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| − | Franke, Marietta, "Paul Thek. Hommage an die Kinder, das Bild der geglückten Kindheit", in: Work in Progress, no. 2, Oct/Nov, 1994, pp. 6-9.*
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| − | | |
| − | MARYLAND, 1994
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| − | Maryland, The Art Gallery, University of Maryland at College Park (exh. cat.), Significant Losses. Artists who have died from AIDS, Maryland: University of Maryland at College Park, 1994.*
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| − | | |
| − | ZüRICH/LUGANO, 1994
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| − | Zürich, Migros Museum für Gegenwartskunst/Lugano, Museo cantonale d’Arte (exh. cat.), Contemporary Art from the Collection of the Federation of Migros Cooperatives, Zürich: Migros Genossenschaftsbund/Lugano: Museu Cantonale d’Arte, 1994, pp. 62-63, 152-153.
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| − | | |
| − | ARMSTRONG, 1995
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| − | Armstrong, Elizabeth, "Paul Thek. Witte De With Rotterdam", in: Artforum, Nov. 1995, pp. 86-87.
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| − | | |
| − | BECKER, 1995
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| − | Becker, Jochen, "Bandmodell für das Ausstellungwesen. 'The wonderful world that almost was': Eine Paul-Thek-Retrospektive in der Berliner Nationalgalerie", in: die tageszeitung, 11.12.1995, p. 16.
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| − | | |
| − | BRAUN, 1995
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| − | Braun, Alexander, "Paul Thek. Silence. Silence. Silence", in: Artis, 47, Dec. 1995/Jan. 1996, pp. 56-61.
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| − | | |
| − | COTTER, 1995
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| − | Cotter, Holland, "Paul Thek’s Time", in: Rotterdam/Berlin/Barcelona/Marseilles 1995/96, pp. 168-174.
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| − | | |
| − | FLOOD, 1995
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| − | Flood, Richard, "Slow. Fade.", in: Rotterdam/Berlin/Barcelona/Marseilles 1995/96, pp. 113-118.
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| − | | |
| − | FRANKE, 1995
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| − | Franke, Marietta, " ‘Be Abstraced’. On Paul Thek’s Artistic Oeuvre", in: Rotterdam/Berlin/Barcelona/Marseilles 1995/96, pp. 145-156.
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| − | | |
| − | MESCHEDE, 1995
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| − | Meschede, Friedrich, "Paul Thek", in: Neue Bildende Kunst, Dec/Jan 1995, pp. 48-53.
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| − | | |
| − | MORGAN, 1995
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| − | "Morgan, Stuart, "Paul Thek. The Man Who Couldn’t Get Up", in: frieze, 24, Sept/Oct 1995, pp. 47-51
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| − | | |
| − | QUAYTMAN, 1995
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| − | Quaytman, Rebecca, "The notebooks of Paul Thek: The Public Hare, The Ego Boom, The Lives and Dialogues, Tales the Tortoise Taught Us, in: Rotterdam/Berlin/Barcelona/Marseilles 1995/96, pp. 11-12.
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| − | | |
| − | ROME, 1995
| |
| − | Rome, Because I Love Gallery (exh. cat.), Paul Thek. Opere Scelte, ed. by Guido Novi, with a text by Barbara Tosi, Rome/Grotte di Castro, 1995.
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| − | | |
| − | ROTTERDAM/BERLIN/BARCELONA/MARSEILLES, 1995
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| − | "Selected Confessions. A Narrative Biography", in: Rotterdam/Berlin/Barcelona/Marseilles 1995/96, pp. 185-194.
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| − | ROTTERDAM/BERLIN/BARCELONA/MARSEILLES, 1995
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| − | Rotterdam, Witte de With Center for Contemporary Art/Berlin, Neue Nationalgalerie/Barcelona, Fundació Antoni Tàpies/Marseilles, MAC Galeries contemporaines des Musées de Marseilles, Paul Thek – The Wonderful World that Almost Was: Snap! Crackle! Pop! Was! Touch me not!, ed. by Louise Neri and Barbara von Kooji, n.p.,1995.
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| − | | |
| − | RUMP, 1995
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| − | Rump, Gerhard Charles, "Mensch Maschine: Paul Thek neu entdeckt", in: Die Welt, June 24, 1995.
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| − | | |
| − | SCHMITZ, 1995
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| − | Schmitz, Rudolf, "Paul Thek, Bericht van een erfenis", in: Archis, June, 1995, pp. 60-65.
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| − | | |
| − | SZEEMANN, 1995
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| − | Szeemann, Harald, "Postscript, March 1995", in: Rotterdam/Berlin/Barcelona/Marseille 1995/96, pp. 88-89.
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| − | | |
| − | THEK, 1995
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| − | Thek, Paul, "96 Sacraments", in: Rotterdam/Berlin/Barcelona/Marseille 1995/96, pp. 137-143.
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| − | | |
| − | THEK, 1995
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| − | Thek, Paul, "Teaching Notes: 4-Dimensional Design", in: Rotterdam/Berlin/Barcelona/Marseille 1995/96, pp. 165-167.
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| − | | |
| − | TIETENBERG, 1995
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| − | Tietenberg, Annette, "Die heissen Kartoffeln des Lazarus", in: Frankfurter Allgemeine Zeitung, 7.7.1995, p.35.
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| − | | |
| − | TOSI, 1995
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| − | Tosi, Barbara, "Paul Thek", in: Because I love Gallery, Rome (exh. cat.), Paul Thek. Opere Scelte, ed. by Guido Novi, Grotte di Castro/Rome, n.p.
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| − | | |
| − | VON RADZIEWSKY, 1995
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| − | Von Radziewsky, Elke, "Der ewige Demonstrant, damals", in: Die Zeit, 7.7.1995.
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| − | | |
| − | WIEN, 1995
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| − | Wien, Kunsthalle/Wien, Graphische Sammlung Albertina (exh. cat.), Glaube, Hoffnung, Liebe, Tod, eb. By Christoph Geimmar-Brandi and Eleonora Louis, Wien: Kunsthalle/Wien: Graphische Sammlung Albertina, 1995/6, pp. 202-205.
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| − | | |
| − | WILSON, 1995
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| − | Wilson, Ann, "Voices of the Era", in: Rotterdam/Berlin/Barcelona/Marseille 1995/96, pp. 57-69.
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| − | | |
| − | BOSTON, 1996
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| − | Boston, Boston Center for the Art, The Archive Project (exh. cat.), Art’s Communities/AIDS’ Communities realizing, Boston: Boston Center for the Art, 1996.*
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| − | | |
| − | BRAUN, 1996
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| − | Braun, Alexander, "Die wunderbare Welt des Paul Thek", in: Kunstforum, no. 132, Nov/Jan 1996, pp. 228-253.
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| − | | |
| − | DESCOMBES, 1996
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| − | Descombes, Mireille, "Paul Thek ressuscite à Zurich", in: L’Hebdo, July 18, 1996.
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| − | | |
| − | GERSTER, 1996
| |
| − | Gerster, Ulrich, "Wenn der Fischmann fliegt. Paul Thek – eine Retrospektive in Zürich", in: Neue Zürcher Zeitung, July 17, 1996.
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| − | | |
| − | GMELIN, 1996
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| − | Gmelin, Felix, "The wonderful world that always was", in: Material, no. 28, Winter, 1996, p. 9.
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| − | | |
| − | GROENENBOOM, 1996
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| − | Groenenboom, Roland, "Paul Thek. A Station of the Cross" (exh. leaflet), Rotterdam: Museum Boijmans van Beuningen, 1996, n.p.
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| − | | |
| − | KURJAKOVIC, 1996
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| − | Kurjakovic, Daniel, "Paul Thek im Museum für Gegenwartskunst und der Kunsthalle", in: Kunst-Bulletin, 9, 1996, p. 49.
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| − | | |
| − | KöLN, 1996
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| − | Köln, Museum Ludwig (coll. cat.), Kunst des 20. Jahrhunderts. Museum Ludwig Köln, Köln: Taschen Verlag, 1996, pp. 708-709.
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| − | | |
| − | LANDI, 1996
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| − | Landi, Ann, "Ripe for Rediscovery", in: Artnews, Nov 1996, pp. 120.*
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| − | | |
| − | LIEBMANN, 1996
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| − | Liebmann, Lisa, "Cover Story. What the Butler Saw: Selected Writings of Stuart Morgan", in: Bookforum, summer 1996, p. 21.*
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| − | | |
| − | MACK, 1996
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| − | Mack, Gerhard, "Pendeln zwischen Kitsch und Kunst", in: St. Galler Tagblatt, August 7, 1996.
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| − | | |
| − | MAURER, 1996
| |
| − | Maurer, Simon, "Kosmische Haufen", in: Züritip, July 5, 1996.
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| − | NIGG, 1996
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| − | Nigg, Marie-Louise, "Ringo Starr als Reliquie", in: Zürichsee-Zeitung, July 20, 1996.
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| − | PALLINI, 1996
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| − | Pallini, Stéphanie, "Paul Thek, artiste de la désillusion", in: Journal de Genève, July 23, 1996.
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| − | PUVOGEL, 1996
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| − | Puvogel, Renate, "Paul Thek", in: Kunstforum, no. 132, Nov/Jan 1996, pp. 357-358.
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| − | | |
| − | SCHEIDEMANN, 1996
| |
| − | Scheidemann, Christian M., "Paul Thek, ‘Fishman’, 1968", in: Zeitschrift für Kunsttechnologie und Konservierung, 10, vol. 2, 1996, pp. 286-293.
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| − | | |
| − | VACHTOVA, 1996
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| − | Vachtova, Ludmila, "Des letzten Hippies blaue Träume", in: Die Weltwoche, July 18, 1996.
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| − | VOGEL, 1996
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| − | Vogel, Wolfram, "Die Zeit ist ein Fluss", in: Südkurier, July 18, 1996.
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| − | VON DäNIKEN, 1996
| |
| − | Von Däniken, Hans-Peter, "Schwimmen, fliegen, treiben", in: Tages-Anzeiger, July 8, 1996.
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| − | | |
| − | WASHINGTON, 1996
| |
| − | Washington, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (exh. cat.), The Collection Reviewed: Contemporary Art, Washington: Hirshhorn Museum and Sculpture Garden, 1996.*
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| − | | |
| − | WASHINGTON, 1996
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| − | Washington, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (exh. cat.), Recent Acquisitions: 1992-1996, Washington: Hirshhorn Museum and Sculpture Garden, 1996.*
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| − | WEINTRAUB, 1996
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| − | Weintraub, Linda, "Ephemerality: Paul Thek", in: Weintraub, Linda, Art on the Edge and Over. Searching for Art’s Meaning in Contemporary Society 1970s-1990s, Litchfield, CT: Art Insights, Inc., 1996, pp. 231-235.
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| − | | |
| − | BONN, 1997
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| − | Bonn, Kunst- und Ausstellunghalle der Bundesrepublik Deutschland (exh. cat.), Die grossen Sammlungen XX. Die Kunsthalle Bremen zu Gast in Bonn. Meisterwerke aus sechs Jahrhunderten, Bonn: Kunst- und Ausstellunghalle der Bundesrepublik Deutschland, 1997/8.*
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| − | | |
| − | COTTER, 1997
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| − | Cotter, Holland, "Ideas From the Air, Wrapped in Paper", in: The New York Times, Dec 19, 1997, p. E39.
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| − | | |
| − | DAMEN, 1997
| |
| − | Damen, Louis, "A Station of the Cross: reinstallation av Paul Thek", in: UKS. Forum for Samtidskunst, pt. 1-2, 1997, pp.12-14.
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| − | | |
| − | KNOTT, 1997
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| − | Knott, Marie Luise, "Liebe, nichts als Liebe. Gedanken über Liebe, Gebürtigkeit und Sterblichkeit anlässlich der Installationen des verstorbenen US-amerikanischen Knslters Paul Thek", in: tag, 20./21.12.1997.
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| − | | |
| − | KöLN, 1997
| |
| − | Köln, Diözesanmuseum (exh. cat.), Paul Thek, Köln: Diözesanmuseum, 1997.
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| − | | |
| − | PLOTZEK, 1997
| |
| − | Plotzek, Joachim, "Paul Thek", in: Köln: n.p., 1997.
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| − | | |
| − | SEARLE, 1997
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| − | Searle, Adrian, "It came from Planet Blah", in: The Guardian, Feb 1997, p. 14.*
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| − | | |
| − | WASHINGTON, 1997
| |
| − | Washington, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (coll. cat.), 150 Works of Art, Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1997.*
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| − | WASHINGTON, 1997
| |
| − | Washington, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (coll. cat.), The Hirshhorn Collects, Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1997.*
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| − | | |
| − | WITTMANN, 1997
| |
| − | Wittmann, Philipp, "Paul Thek und die ars moriendi. Das ‘heißeste Thema’ der Kunst", in: Kunst und Kirche, April, 1997, pp. 214-216.
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| − | | |
| − | BREMEN, 1998
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| − | Bremen, Kunsthalle (coll. cat.), Meisterwerke. Gemälde, Skulpturen, Pastelle und Neue Medien, vol. I, Bremen: Kunstverein/Kunsthalle, 1998, pp. 312-313.
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| − | | |
| − | CHICAGO, 1998
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| − | Chicago, The Arts Club of Chicago (exh. cat.), Paul Thek. Paintings, Works on Paper and Notebooks 1970-1988, with texts by Kathy Cottong and Michael Klein, Chicago: The Arts Club of Chicago, 1998/99.
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| − | | |
| − | COTTONG, 1998
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| − | Cottong, Kathy, "Paul Thek 1933-1988", in: Chicago 1998/99, pp. 3-8.
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| − | | |
| − | DUISBURG, 1998
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| − | Duisburg, Wilhelm-Lehmbruck-Museum (coll. cat.), Bestandeskatalog des Wilhelm-Lehmbruck-Museums, ed. by Christoph Brockhaus, Duisburg, 1998, pp. 271-273.
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| − | | |
| − | KLEIN, 1998
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| − | Klein, Michael, "Timely and Timeless: A Memoir", in: Chicago 1998/99, pp. 13-18.
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| − | | |
| − | RICKEY, 1998
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| − | Rickery, Carrie, "The Show of Shows", in: The Philadelphia Inquirer. Inquirer Magazine, Oct 18, 1998, pp. 13-14.
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| − | | |
| − | SOZANSKI, 1998
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| − | Sozanski, Edward J., "The ICA at 35, looks back on its glory days", in: The Philadelphia Inquirer, Sept 20, 1998.
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| − | | |
| − | SWARTZ, 1998
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| − | Swartz, Mark, "In His Own Worlds. Paul Thek at the Arts Club of Chicago", in: Chicago Reader, Dec 18, 1998, p. 46.
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| − | | |
| − | TEUBER, 1998
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| − | Teuber, Dirk, "Reliquiare und Prozessionen. Hintergründe zu Paul Theks Werk zwischen 1966-1968", in: Staatliche Kunsthalle, Baden-Baden (exh. cat.), Der unendliche Raum dehnt sich aus. Das Diözesanmuseum Köln zu Gast in der Staatlichen Kunsthalle Baden-Baden, Baden-Baden/Köln 1998, pp. 25-30.
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| − | | |
| − | FLOOD, 1999
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| − | Flood, Richard, Richard Flood discusses Paul Thek’s “Hippopotamus” from Technological Reliquaries (1965), 1999.
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| − | | |
| − | GERMER, 1999
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| − | Germer, Stefan, Full Fathom Five My Father Lies. Vermutungen zur Aktualität Paul Theks, in: Germeriana. Unveröffentlichte oder übersetzte Schriften von Stefan Germer zur zeitgenössischen und modernen Kunst, ed. by Julia Bernard, (Jahresring 46. Jahrbuch für Moderne Kunst), Köln: Oktagon, 1999, pp. 121-133.
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| − | | |
| − | GREENSBORO, 1999
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| − | Greensboro, Weatherspoon Art Gallery (exh. cat.), Highlights from the Dillard Collection of Art on Paper. Drawing across the Century, Greensboro (North Carolina): Weatherspoon Art Gallery, 1999/2000.*
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| − | | |
| − | HEAD, 1999
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| − | Head, Tim, "A Casual Acquantance with the Early Work of Paul Thek", in: London/Dublin: n.p., 1999.
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| − | | |
| − | LEVIN, 1999
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| − | Levin, Kim, "Shortlist: Paul Thek", in: The Village Voice, no. 8, March 2, 1999, pp. 88.*
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| − | | |
| − | LONDON/DUBLIN, 1999
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| − | London, Camden Arts Center/Dublin: Douglas Hyde Gallery (exh. cat.), Paul Thek, texts by Mac Giolla Léith, Simon Morrisey and Tim Head, London: Camden Arts Center, 1999.
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| − | | |
| − | MAC GIOLLA LéITH, 1999
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| − | "Mac Giolla Léith, Caoimhín, "A student in the school for fallen boys", in: Dublin, The Douglas Hyde Gallery (exh. leaflet)
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| − | | |
| − | MAIER, 1999
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| − | Maier, Anne, "Paul Thek", in: Kritisches Lexikon der Gegenwartskunst, München: Weltkunst/Bruckmann, edition 46, notebook 15, 1999.
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| − | | |
| − | MORRISSEY, 1999
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| − | Morrissey, Simon, "Meeting Paul – Death Valley, Arizona, September 1992", in: London/Dublin: n.p., 1999/2000.
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| − | | |
| − | MORRISSEY, 1999
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| − | Morrissey, Simon, "Myth as Material", in: Contemporary Visual Arts, 26, winter 1999, pp. 40-45.
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| − | | |
| − | NEW YORK, 1999
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| − | New York, Whitney Museum of American Art (exh. cat.), The American Century: Art & Culture 1950-2000, vol. II, ed. by Lisa Phillips, New York: Whitney Museum of American Art, 1999/2000, pp. 181, 327, fig. p. 182.
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| − | | |
| − | PALMER, 1999
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| − | Palmer, Laurie, "Paul Thek: The Arts Club of Chicago", in: Frieze, 45, March/April 1999, pp. 86-87.
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| − | | |
| − | RUGOFF, 1999
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| − | Rugoff, Ralph, "Anti-heroic Art of Decay and Bathos", in: Financial Times, Dec 18-19, 1999, p. 7.
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| − | | |
| − | SCHMERLER, 1999
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| − | Schmerler, Sarah, "Paul Thek: Selected Drawings 1966-1988", in: Art On Paper, 3, no. 5, May/June 1999, pp. 64-65.
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| − | | |
| − | SCHWENDENER, 1999
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| − | Schwendener, Martha, "Paul Thek, ‘Selected Drawings, 1966-1988’ ", in: Time Out New York, March 4-11, 1999, p. 58.
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| − | | |
| − | SIEGEL, 1999
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| − | Siegel, Katy, "Paul Thek: Paintings, Works on Paper and Notebooks, 1970-1988", in: Artforum, 37, no. 7, March 1999, p. 111.
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| − | | |
| − | ZDENOVICS, 1999
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| − | Zdenovics, Olga, "Reviews", in: Art Papers Magazine, May/June 1999, p. 52.*
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| − | | |
| − | DALY, 2000
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| − | Daly, Catherine, "Paul Thek", in: The Irish Times, March 26, 2000.*
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| − | | |
| − | DUISBURG, 2000
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| − | Duisburg, Wilhelm Lehmbruck Museum (coll. cat.), Wilhelm Lehmbruck Museum Duisburg, ed. by Christoph Brockhaus, München/London/New York: Prestel Verlag, 2000, p. 82.
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| − | | |
| − | | |
| − | KENT, 2000
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| − | Kent, Sarah, "False perspectives: Two artists who spend time on the phoney", in: Time Out London, January 12-19, 2000. p. 50.
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| − | | |
| − | MARCELIS, 2000
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| − | Marcelis, Bernard, "Ghent Gets a Proper SMAK", in: Art Press, 253, January 2000, pp. 62-65.*
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| − | | |
| − | MüNCHEN, 2000
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| − | München, Städtische Galerie im Lenbachhaus und Kunstbau/München, Kunstverein/München, Siemens Kulturprogramm/Baden-Baden, Staatliche Kunsthalle Baden-Baden/Innsbruck, Galerie im Taxispalais (exh. cat.), Die verletzte Diva. Hysterie, Körper, Technik in der Kunst des 20. Jahrhunderts, ed. by Sylvia Eiblmayr, Dirk Snauwaert, Ulrich Wilmes, Matthias Winzen, texts by Christina von Braun, Elisabeth Bronfen, Silvia Eiblmayr, Gilles Deleuze, Georges Didi-Hubermann, Peter Gorsen, Thomas Lischeid, Käte Meyer-Drawe, Irit Rogoff, Karin Sagner-Düchting, Klaus Theweleit, Matthias Winzen, Slavoj Žižek, Köln: Oktagon, 2000, pp. 258-259.
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| − | | |
| − | ARTFORUM, 2001
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| − | "Preview: Winter 2001. Minneapolis Painting at The Edge of the World", in: Artforum, January 2001, p. 47.*
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| − | | |
| − | BERWICK, 2001
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| − | Berwick, Carly, "The Changing of the Guards", in: ARTNews, 100, no. 3, March 2001, pp. 148-151.*
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| − | | |
| − | DUBLIN, 2001
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| − | Dublin, The Douglas Hyde Gallery (exh. cat.), Patmos, with a text by John Hutchinson, Dublin: The Douglas Hyde Gallery, 2001.*
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| − | | |
| − | GIONI, 2001
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| − | Gioni, Massimiliano, "Painting at the Edge of the World", in: Flash Art, 34, No. 218, May/June 2001, p. 147.*
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| − | | |
| − | GLIMCHER, 2001
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| − | Adventures in Art, 40 Years at Pace, edited by Mildred Glimcher with contextural recollections by Arne Glimcher, Milan: Leonardo International, 2001.
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| − | | |
| − | KASSEL, 2001
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| − | Kassel, Museum Fridericianum (exh. cat.), Wiedervorlage d5. Eine Befragung des Archivs zur documenta 1972, ed. by Roland Nachtigäller, Friedhelm Scharf, Karin Stengel, Ostfildern-Ruit: Hatja Cantz Verlag, 2001, pp. 128, 129, 139.
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| − | | |
| − | KIMMELMAN, 2001
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| − | Kimmelman, Michael, "Digestion as Art? In Vienna? Kunsthalle Quickly Gets Attention in New Museums Quarter," in: New York Times, May 31, 2001, p. E1, E3.*
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| − | | |
| − | MINNEAPOLIS, 2001
| |
| − | Minneapolis, Walker Art Center (exh. cat.), Painting at the Edge of the World, ed. by Douglas Fogle, Minneapolis: Walker Art Center, 2001, pp. 18-22, 342-345.
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| − | | |
| − | | |
| − | NEW YORK, 2001
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| − | New York, White Box (exh. cat.), Prodigal Prodigy, New York: White Box, 2001.*
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| − | | |
| − | NEW YORK, 2001
| |
| − | New York, The Whitney Museum of American Art (collection cat.), American Visionaries. Selections from the Whitney Museum of American Art, with an introduction by Maxwell L. Anderson, New York: Harry N. Abrams, Inc., 2001, pp. 25, 306.
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| − | | |
| − | WIEN, 2001
| |
| − | Wien, Kunsthalle (exh. cat.), Eine barocke Party. Augenblicke des Welttheaters in der zeitgenössischen Kunst: Dinos und Jake Chapman, Wim Deloye, Ulrike Grossharth, Yvonne Rainer, Sam Taylor-Wood, Paul Thek, ed. by Sabine Folie and Michael Glasmeier, Wien: Kunsthalle, 2001, pp. 212-248, 259-261.
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| − | | |
| − | WILLIAMS/SCHEIDEMANN, 2001
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| − | Williams, Gregory: "Conserving Latex and Liverwurst: An interview with Christian Scheidemann", in: Cabinet, 2, 2001.
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| − | | |
| − | WILSON, 2001
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| − | Wilson, Ann, "Mare tenebrarum – Meer der Finsternis", in: Wien, Kunshalle (exh. cat.), Eine barocke Party. Augenblicke des Welttheaters in der zeitgenössischen Kunst, Wien: Kunsthalle, 2001, pp. 226-235.
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| − | | |
| − | ZAHLTEN, 2001
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| − | Zahlten, Johannes, " ‘Heilige Leiber’. Reliquien, Prozessionen, barocke Religiosität", in: Wien, Kunshalle (exh. cat.), Eine barocke Party. Augenblicke des Welttheaters in der zeitgenössischen Kunst, Wien: Kunsthalle, 2001, pp. 218-225.
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| − | | |
| − | COPENHAGEN, 2002
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| − | Copenhagen, Charlottenborg Udstillingsbygning (exh. cat.), My Head is on Fire but my Heart is Full of Love, ed. by Will Bradley, Henriette Bretton-Meyer, Tony Webster, Copenhagen: Charlottenborg Udstillingsbygning, 2002, pp. 19, 98.
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| − | | |
| − | COTTER, 2002
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| − | Cotter, Holland, " ‘A Document Made by Paul Thek and Edwin Klein’ ", in: The New York Times, Dec 20, 2002, p. E44.
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| − | | |
| − | DEZEUZE, 2002
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| − | Dezeuze, Anna, "The Object Sculpture", in: Art Monthly, July/August 2002, p. 257-259.
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| − | | |
| − | LEEDS, 2002
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| − | Leeds, Henry Moore Institute (exh. cat.), The Object Sculpture, with texts by Penelope Curtis and Vanessa Adler, Leeds: Henry Moore Institute, 2002, pp. 86-91.
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| − | | |
| − | | |
| − | MORTON, 2002
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| − | Morton, Tom, "The Object Sculpture", in: frieze, 69, Sept 2002, p. 103.
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| − | | |
| − | ROTTERDAM, 2002
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| − | Rotterdam, Museum Boijmans van Beuningen (exh. cat.), Imagine, You Are Standing Here in Front of Me. Caldic Collectie, ed. by Jaap Buldemond, Rotterdam: Nai Publishers 2002, p. 80.
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| − | | |
| − | STAHL, 2002
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| − | Stahl, Johannes, "Installation", in: DuMont Begriffslexikon zur zeitgenössischen Kunst, ed. by Hubertus Butin, Köln: DuMont, 2002, pp. 122-126, at 124.
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| − | | |
| − | WEIMAR, 2002
| |
| − | Weimar, ACC Galerie Weimar/Weimar, Kolleg Friedrich Nitzsche, Steiftung Weimarer Klassik und Kunstsammlungen (exh. cat.), Über MENSCHEN. Zur Zukunft des Humanen, ed. by Andrea Dietrich, Julia Draganovi? and Justus H. Ulbricht, Jena: Glaux Verlag Christine Jäger KG, 2003, pp. 96-99.
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| − | | |
| − | WILSON, 2002
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| − | Wilson, Michael, "From the Observatory", in: frieze, 68, June/July/Aug 2002, pp. 119-120.
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| − | | |
| − | DANNATT, 2003
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| − | Dannatt, Adrian, "What’s On", in: The Art Newspaper, Feb 2003, p. 3.
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| − | | |
| − | DIEDERICHSEN, 2003
| |
| − | Diederichsen, Diedrich, "A Fan’s Notes – Diedrich Diederichsen on Mike Kelley’s Writings", in: Artforum, Jan. 2003, pp. 33-34.
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| − | | |
| − | FYFE, 2003
| |
| − | Fyfe, Joe, "Paul Thek at Alexander and Bonin and with Edwin Klein at Janos Gat", in: Art in America, July 2003, p. 89, 91.
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| − | | |
| − | KELLEY/WELCHMAN, 2003
| |
| − | Kelley, Mike, Welchman, John C. (Hrsg.): Foul Perfection: Essays and Criticism, Cambridge, Mass.: The MIT Press 2003.
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| − | | |
| − | KLEIN, 2003
| |
| − | Klein, Edwin, A Document 2 and 3 made by Paul Thek and Edwin Klein, New York: Janos Gat Gallery, 2003.
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| − | | |
| − | LAUBARD/PARISI, 2003
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| − | Laubard, Charlotte/Parisi, Chiara, et al., Great Expectations, Pescara: Fuoriuso, 2003.*
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| − | | |
| − | MONTREAL/DALLAS, 2003
| |
| − | Montreal, The Montreal Museum of Fine Arts/Dallas, Dallas Museum of Art (exh. cat.), Global Village: The 1960s, ed. by Stéphane Aquin, with texts by Stéphane Aquin and Anna Detheridge, Montreal: The Montreal Museum of Fine Arts, 2003, pp. 15, 150, 200.
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| − | | |
| − | MUNDER/BUDAK, 2003
| |
| − | "Munder, Heike/Budak, Adam, "An Immense Museum of Strangeness. Department of Spatial Fantasies", in: Zürich/Ddansk 2003, pp. 21-29
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| − | | |
| − | | |
| − | NEW YORK, 2003
| |
| − | New York, Paula Cooper Gallery (exh. cat.), After the Observatory, with a text by Robert Nickas and pictures Louise Lawler, New York: Paul Cooper Gallery, 2003, n.p.
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| − | | |
| − | | |
| − | NICKAS, 2003
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| − | Nickas, Robert: After the Observatory, New York: Paula Cooper Gallery 2003.
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| − | | |
| − | REBENTISCH, 2003
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| − | Rebentisch, Juliane, Ästhetik der Installation, Frankfurt am Main: Suhrkamp Verlag, 2003, p. 178.
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| − | | |
| − | RIMANELLI, 2003
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| − | Rimanelli, David, "Time Capsules. 1986-1990", in: Artforum, April 2003, pp. 87-112.
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| − | | |
| − | | |
| − | STRONG, 2003
| |
| − | Strong, Lester, "Interrupted Lives: Canceled Visions", in: A&U, 100, Feb 2003, p. 29.
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| − | | |
| − | THE VILLAGE VOICE, 2003
| |
| − | "Voice Choices", in: The Village Voice, Feb 12-18, 2003, p. 107.
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| − | | |
| − | ZüRICH/DANSK, 2003
| |
| − | Zürich, Migros Museum für Gegenwartskunt/Gdansk, ?a?nia Centre for Contemporary Art (exh. cat.), Bewitched, Bothered and Bewildered. Spacial Emotion in Contemporary Art and Architecture, ed. by Heike Munder and Adam Budak, Zürich: Migros Museum für Gegenwartskunst/Gdansk: ?a?nia Centre for Contemporary Art, 2003, pp. 3, 26-27, 129, 180, 188.
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| − | | |
| − | BEIL, 2004
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| − | Beil, Ralph, Künstlerküche. Lebensmittel als Kunstmaterial – Von Schiele bis Jason Rhoades, Köln: DuMont, 2004, pp. 275-276, 294.
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| − | | |
| − | CHRISTOFORI, 2004
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| − | Christopori, Ralf, Paul Thek, in: Frieze, 85, Sept 2004, p. 130-131.
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| − | | |
| − | | |
| − | COTTER, 2004
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| − | Cotter, Holland: »Harrell Fletcher, in: New York Times, 28.5.2004.
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| − | | |
| − | | |
| − | DUISBURG, 2004
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| − | Duisburg, Stiftung Wilhelm Lehmbruck Museum - Zentrum Internationaler Skulptur (exh. cat.): Stadtlicht Lichtkunst. Ein Projekt der Initiative Stadtbaukultur des Landes Nordrhein-Westfalen, ed. by Christoph Brockhaus, Duisburg: Stiftung Wilhelm Lehmbruck Museum, 2004, p. 104-105.
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| − | | |
| − | FLASH ART, 2004
| |
| − | Fuori uso alla XIV edizione«, in: Flash Art Italia, 243, December 2003–January 2004, p. 66.
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| − | | |
| − | HEARTNEY, 2004
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| − | Heartney, Eleanor, "The Well-Tempered Biennal", in: Art in America, June/July 2004, p. 71-77.
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| − | | |
| − | KELLEY, 2004
| |
| − | Kelley, Mike: The Uncanny, Köln: Walther König 2004.
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| − | | |
| − | NEW YORK, 2004
| |
| − | New York, New Museum of Contemporary Art (exh. cat.), East Village USA, with texts by Can Cameron, Liza Kirmin and Alan W. Moore, New York: New Museum of Contemporary Art, 2004, p. 126.
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| − | | |
| − | PLOTZEK, 2004
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| − | Plotzek, Joachim M: »Ein tragbarer Ozean«, in: Weltkunst, 74, 4, April, 2004, p. 170.
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| − | | |
| − | POETTER, 2004
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| − | Poetter, Jochen, DuMont Schnellkurs Kunst im 20. Jahrhundert, Köln: DuMont, 2004, pp. 150-152, 226.
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| − | | |
| − | SCANLAN, 2004
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| − | Scanlan, Joe: »Artist Curates: DIY«, in: Artforum, 42, 6, February, 2004, p. 133–39-
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| − | | |
| − | SCHNEEDE, 2004
| |
| − | Schneede, Marina, Mit Haut und Haaren. Der Körper in der zeitgenössischen Kunst, Köln: DuMont, 2004, pp. 118, 122, fig. pp. 118, 122-125.
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| − | | |
| − | SMITH, 2004
| |
| − | Smith, Roberta, "Looking Back At the Flurry On the Far Side", in: The New York Times, Dec 10, 2004, p. E35.*
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| − | | |
| − | | |
| − | VILLANI, 2004
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| − | Villani, Andrea, "Paul Thek", in: Flash Art, Oct/Nov 2004, pp. 140-142.*
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| − | | |
| − | WASHINGTON POST, 2004
| |
| − | Paul Thek's ›Warrior's Leg, ...., in: Washington Post, 11.1.2004.
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| − | | |
| − | WITTMANN, 2004
| |
| − | Wittmann, Philipp, Paul Thek. Vom Frühwerk zu den "Technologishen Reliquaren" mit einem Verzeichnis der Werke 1947-1967, Friedland: K. Bielefeld, 2004.
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| − | | |
| − | BISHOP, 2005
| |
| − | Bishop, Claire, Installation Art. A Critical History, London: Tate Publishing, 2005, p. 28, 31-32, 41, 44.
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| − | | |
| − | BONAMI, 2005
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| − | Bonami, Francesco (Hrsg.): Bidibidobidibo: Works from Collezione Sandretto Re Rebaudengo, Milan: Skira 2005.
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| − | | |
| − | COTTER, 2005
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| − | Cotter, Holland, "Probing Fringes, Finding Stars", in: The New York Times, April 15, 2005, pp. E31, E33.
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| − | | |
| − | DERMISACHE/HATHERLY/PINHEIRO, 2005
| |
| − | Dermisache, Mirtha, Hatherly, Ana, Pinheiro, Jorge (Hrsg.): Da escrita á figura: Desenhos da colecção da Fundação de Serralves, Lissabon: Assírio and Alvim 2005.
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| − | | |
| − | EDWARDS, 2005
| |
| − | Edwards, Owen, "Casualty of War", in: Smithsonian, May 2005, pp. 34-36.
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| − | | |
| − | | |
| − | FLOOD, 2005
| |
| − | Flood, Richard, An Artist and His Doppelgangers, 9.2005
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| − | | |
| − | | |
| − | KASSEL, 2005
| |
| − | Kassel, Kunsthalle Fridericianum (exh. cat.), archive in motion. documenta Manual, 50 years documenta 1955-2005, ed. by Michael Glasmeier/Karin Stengel, Göttingen: Steidl, 2005, p. 248.
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| − | | |
| − | KASSEL, 2005
| |
| − | Kassel, Kunsthalle Fridericianum (exh. cat.), 50 Jahre / Years documenta. Diskrete Energien Discreet Energies, ed. by Michael Glasmeier, Göttingen: Steidl, 2005, pp. 138-139.
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| − | | |
| − | KOLD, 2005
| |
| − | Kold, Anders: »Fra arkivet«, in: Numer, 66, April, 2005, p. 15.
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| − | | |
| − | MINNEAPOLIS, 2005
| |
| − | Minneapolis, Walker Art Center (coll. cat.), Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections, ed. by Joan Rothfuss and Elisabeth Carpenter, Minneapolis: Walker Art Center, 2005, pp. 549-551.
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| − | | |
| − | NEUBAUER, 2005
| |
| − | Neubauer, Susanne, Collection Lab: An exemplary presentation. Paul Thek Luzern 1973/2005, Lucerne: Museum of Art, 2005.
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| − | | |
| − | SCHEIDEMANN, 2005
| |
| − | Scheidemann, Christian: »Men at Work: The Significance of Material in the Collaboration Between Artist and Fabricator in the 1960s and 1970s«, in: Hummelen, Ijsbrand (Hrsg.), Modern art: who cares?: an interdisciplinary research project and an International Symposium on the Conservation of Modern and Contemporary Art, London: Archetype Publ. 2005, p. 242-246.
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| − | SCHIFF, 2005
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| − | Schiff, Hajo: »Der Kunstableger: Ein sehenswerter, freilich subjektiver Kunst-Querschnitt solitärer Werke«, in: Die Tageszeitung, 17.9.2005.
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| − | | |
| − | TIETENBERG, 2005
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| − | Tietenberg, Annette, Konstruktionen des Weiblichen. Eva Hesse: ein Künstlerinnenmythos des 20. Jahrhunderts, Stuttgart: Reimer, 2005, pp. 52, 58, 78, 98.
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| − | | |
| − | ALLGåRDH, 2006
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| − | Allgårdh, Sophie: »Storartad kroppskonst i stelnad form«, in: Svenska Dagbladet, 8.8.2006.
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| − | | |
| − | BERN, 2006
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| − | Bern, Kunstmuseum (exh. cat.), Six Feet Under - Autopsie unseres Umgangs mit Toten, ed. by Kunstmuseum Luzern, with texts by E. Bronfen, B. Fibicher, M. Frehner, S. Friedli, T. Macho, H. Lutz, R. Tschumi, H.C. von Tavel, Leipzig/Bielefeld: Kerber Verlag, 2006.
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| − | BIESENBACH, 2006
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| − | Biesenbach, Klaus (Hrsg.): Into Me/Out of Me, Ostfildern: Hatje Cantz 2006.
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| − | | |
| − | DüSSELDORF, 2006
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| − | Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur, Düsseldorf: Heinrich Winterscheidt 2006.
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| − | | |
| − | HARRIS, 2006
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| − | Harris, Jane: »Into Me/Out of Me«, in: Time Out New York, 10.-16.8.2006.
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| − | KöLN, 2006
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| − | Köln, Museum Ludwig (exh. cat.), Das achte Feld. Geschlechter, Leben und Begehren in der Kunst seit 1960/The Eight Square. Gender, Life, and Desire in the Arts since 1960, ed. by Frank Wagner, Kasper König, Julia Friedrich, Ostfildern: Hatja Cantz, 2006, pp. 32, 33, 38, 39, 155, 210, 211.
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| − | | |
| − | NEW YORK, 2006
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| − | Matthew Marks Gallery (bro.), Small Sculpture, New York: Matthew Marks Gallery, 2006, n.p.
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| − | | |
| − | | |
| − | STUDER, 2006
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| − | Studer, Peter, Restaurierung, Rekonstruktion und Recht, in: Kunst-Bulletin, 1/2, 2006, pp. 72-75.
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| − | | |
| − | | |
| − | BENTLEY, 2007
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| − | Bentley, Kyle, "Paul Thek. Alexander and Bonin", in: Artforum, Summer, 2007, p. 499.
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| − | | |
| − | BEZZOLA/KURZMEYER, 2007
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| − | Bezzola, Tobia, Kurzmeyer, Roman (Hrsg.): Harald Szeemann: With By Through Because Towards Despite: Catalogue of All Exhibitions, 1957–2005, Zürich: Edition Voldemeer 2007.
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| − | | |
| − | | |
| − | BREHM/HEIL/OHRT, 2007
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| − | Margrit Brehm/Axel Heil/Roberto Ohrt, Paul Thek. Tales the Tortoise Taught Us, Karlsruhe: ZKM/Hamburg: Sammlung Falckenberg, 2007.
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| − | | |
| − | DE ROCHEBOUET, 2007
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| − | de Rochebouet, Béatrice: »Art Contemporain: Place aux jeunes«, in: Le Figaro, 14.9.2007
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| − | | |
| − | DIEDERICHSEN, 2007
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| − | Diederichsen, Diedrich, "Amerikanischer Surrealismus als Asyl. Kritik und Verklärung in Goth und anderen Schattenbewegungen"/"American Surrealism as Asylum. Critique and Glorification in Goth and Other Shadowy Movements", in: Text zur Kunst, 3, no. 65, 2007, pp. 93-97/149-152.
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| − | GEORGSDORF, 2007
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| − | Georgsdorf, Heiner (ed.), Arnold Bode. Schriften und Gespräche, Berlin: Siebanhaar, 2007, pp. 252, 269, 270.
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| − | | |
| − | KIMPEL/STENGEL, 2007
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| − | Kimpel, Harald/Stengel, Karin, 4. documenta. Internationale Ausstellung. Eine fotografische Rekonstruktion, Schriftenreihe des documente Archivs, Band 17, Bremen: Edition Temmen, 2007, p. 218.
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| − | LEQUEUX, 2007
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| − | Lequeux, Emmanuelle: »›The Third Mind‹: Dans le cerveau d'Ugo Rondinone«, in: Beaux Arts Magazine, 279, September, 2007, p. 88–95.
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| − | | |
| − | LEQUEUX, 2007
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| − | Lequeux, Emmanuelle: »Exposition: L'art contemporain selon Rondinone«, in: Le Monde, 12.10.2007.
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| − | | |
| − | MüLLER, 2007
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| − | Müller, Dominikus: »True Lies: ›Neolithic Porns‹ bei Isabella Bortolozzi, Berlin«, in: Artnet Magazin, 20.12.2007, http://www.artnet.de/magazine/reviews/mueller/mueller12-20-07.asp.
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| − | | |
| − | PATZER, 2007
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| − | Patzer, Georg: »Das Fleisch an der Kunst: Eine Welt voller Verfall und Tod und privatmystischer Andeutungen: ›Paul Thek – Werkschau im Kontext zeitgenössischer Kunst‹ im Zentrum für Kunst und Medientechnologie Karlsruhe«, in: Die Tageszeitung, 21.12.2007.
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| − | | |
| − | | |
| − | SMITH, 2007
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| − | Smith, Roberta: »A Point in Space Is a Place for an Argument«, in: New York Times, 20.7.2007.
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| − | SCHREIBER, 2007
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| − | Schreiber, Daniel: Susan Sontag. Geist und Glamour, Berlin: Aufbau-Verlag, 2007.
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| − | | |
| − | SCHURCH, 2007
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| − | Schurch, Felix: »Newspaper Paintings«, in: Praxis, 10.10.2007.
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| − | | |
| − | SZEEMANN, 2007
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| − | Szeemann, Harald, with by through because towards despite. Catalogue of all exhibitions 1957-2005, ed. by Tobia Bezzola/Roman Kurzmeyer, Zürich: Edition Voldemeer/Wien, New York: Springer, 2007, pp. 313, 336, 420, 426.
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| − | | |
| − | TALBOT, 2007
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| − | Talbot, Emily: »Paul Thek«, in: Time Out New York, 3.-9.5.2007.
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| − | WAGNER, 2007
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| − | Wagner, Thomas, "Fleisch auf Michelangelos Panzer", in: Frankfurter Allgemeine Zeitung, 28.12.207, S. 33.
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| − | | |
| − | WAHLER, 2007
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| − | Wahler, Marc-Olivier (ed.): PALAIS/MAGAZINE 04: Carte Blanche à Ugo Rondinone, Herbst, 2007.
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| − | | |
| − | WILSON, 2007
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| − | Structure and Creativity, Wege zur Architektur (http://issuu.com/fsb.de/docs/structure_and_creativity) (2.2010)
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| − | | |
| − | | |
| − | AMADO, 2008
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| − | Amado, Miguel: »Life On Mars: 55th Carnegie International«, in: Flash Art, 41, July–September, 2008, p. 241, 244.
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| − | | |
| − | AMMANN, 2008
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| − | Ammann, Jean-Christophe: »Ark, Pyramid, Easter« [1973], in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 292-293.
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| − | | |
| − | | |
| − | BAUMGART, 2008
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| − | Baumgart, Urike: »›Things are going to happen...‹. The Processual Aspect of Paul Thek's Newspaper Paintings«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 200-207.
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| − | | |
| − | | |
| − | BOCK, 2008
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| − | Bock, John: John Bock: Klütterkammer, Köln: Walther König 2008.
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| − | | |
| − | BOULBèS, 2008
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| − | Boulbès, Carole: »Paul Thek dans le contexte de l'art actuel: ZKM«, in: Art Press, 344, April, 2008, pp. 74–76.
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| − | | |
| − | | |
| − | BOZEN, 2008
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| − | Periferer Blick und kollektiver Körper, ed. by Corinne Disserens, Bozen: Museion – Museum für moderne und zeitgenössische Kunst, 2008.
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| − | | |
| − | | |
| − | BRADLEY, 2008
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| − | Bradley, Joe: »Salon XXIV«, in: The Journal, 2008, pp. 77–108.
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| − | | |
| − | | |
| − | BREHM, 2008
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| − | Brehm, Margit: »›Dear Baby – Dear Sister – Dear Susan‹. Excerpts from Paul Thek's Letters to Susan Sontag«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 296-311.
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| − | | |
| − | BREHM, 2008
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| − | Brehm, Margit: »›Wish bon voyage‹. Excerpts from Paul Thek's Letters to Peter Hujar«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 312-330.
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| − | | |
| − | | |
| − | BREHM, 2008
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| − | Brehm, Margrit: »›Keep trying to get IN not OUT‹. Paul Thek in the Context of American Art, 1964-1967«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 70-95.
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| − | BRIEGLEB, 2008
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| − | Briegleb, Till, "Kunst ohne Heilung", in: Art, 1, 2008, S. 74-80.
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| − | | |
| − | BRIEGLEB, 2008
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| − | Briegleb, Till: »Kunst ohne Heilung«, in: Art: Das Kunstmagazin, 1, Januar, 2008, pp. 74–80.
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| − | | |
| − | BROCK, 2008
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| − | Brock, Bazon: »The Work in Progress Aims at Regress. Coffin, Shelter, Series of Designer Chairs, Pilot Fish, and Other Things of Beauty as Reference to the Art Works by Paul Thek that Never Existed«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 56-69.
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| − | | |
| − | | |
| − | DELEHANTY, 2008
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| − | Delehanty, Suzanne: »Thek's Comet/Paul Thek: Seeking the Way« [2008/1977], in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 262-283.
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| − | | |
| − | DERCON/HILLER/LINGWOOD/SCHEIDEMANN, 2008
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| − | Dercon, Chris, Hiller, Susan, Lingwood, James, Scheidemann, Christian: »Remaking Art? A Panel Discussion« [1995], in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 402-416.
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| − | | |
| − | FALCKENBERG, 2008
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| − | Falckenberg, Harald: »Freedom is first of all Freedom from Identification«, in: Falckenberg, Harald, Weibel, Peter (Hrsg.), Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 17-36.
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| − | | |
| − | FALCKENBERG/WEIBEL, 2008
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| − | Falckenberg, Harald, Weibel, Peter (Hrsg.): Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008.
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| − | | |
| − | FOGLE, 2008
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| − | Fogle, Douglas (Hrsg.): Life on Mars: 55th Carnegie International, Pittsburgh: Carnegie Museum of Art, 2008.
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| − | | |
| − | FRANKE, 2008
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| − | Franke, Marietta: »›The Creative Idea Remains...‹. On the Interweaving of Childhood, the Psychological Factor, and Society in the Work of Paul Thek«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 186-199.
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| − | | |
| − | GERMER, 2008
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| − | Germer, Stefan: »Full Fathom Five My Father Lies. Speculations about Paul Thek's Contemporaneousness« [1996], in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 240-253.
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| − | | |
| − | GORDON, 2008
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| − | Gordon, Kim: »I wanted to paint a landscape«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 136-139.
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| − | | |
| − | GRAW, 2008
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| − | Graw, Isabelle: »Marktforschung mit Hirtenstab«, in: taz Tageszeitung, 12.2.2008.
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| − | | |
| − | | |
| − | GROENENBOOM, 2008
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| − | Groenenboom, Roland: »›Things Growing Are Not Ripe Until Their Season‹. Birth, Development, and Waning of Collaborative and Process-based Environments in the Œuvre of Paul Thek, 1968-1973«, in: Falkenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 150-168.
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| − | | |
| − | | |
| − | HAFNER, 2008
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| − | Hafner, Hans-Jürgen: »Der Mythos-Reflex«, in: artnet, 8.10.2008, http://www.artnet.de/magazine/harald-falckenberg-peter-weibel-hg-paul-thek-artists-artist/
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| − | | |
| − | HEIL, 2008
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| − | Heil, Axel: »This Is the End - The Tomb and Its Metamorphosis«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 97-119.
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| − | | |
| − | | |
| − | HEISER, 2008
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| − | Heiser, Jörg: »55th Carnegie International«, in: Frieze, 117, September, 2008, pp. 187–188.
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| − | | |
| − | | |
| − | HERSTATT, 2008
| |
| − | Herstatt, Claudia: »Eine Dampfwalze auf der Überholspur«, in: Weltkunst, 78, 4, April, 2008, pp. 23–26.
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| − | | |
| − | HüBL, 2008
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| − | Hübl, Michael: »Paul Thek: Werkschau im Kontext zeitgenössischer Kunst: ›Romantiker der Beat Generation.‹« in: Kunstforum International, 190, März–April, 2008, pp. 361–62.
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| − | | |
| − | | |
| − | KELLEY, 2008
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| − | Kelley, Mike: »Death and Transfiguration – A Letter from America« [1992], in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 254-261.
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| − | | |
| − | KLEIN, 2008
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| − | Klein, Edwin: »A Document Made by Paul Thek and Edwin Klein« in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 350-357.
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| − | | |
| − | | |
| − | KUNITZ, 2008
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| − | Kunitz, Daniel: »Painting Pushes Its Limits«, in: New York Sun, 14.8.2008.
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| − | | |
| − | | |
| − | LAMM, 2008
| |
| − | Lamm, April Elizabeth: »Agents for Zeitgeist Guesswork«, in: Sleek, Frühling, 2008, pp. 204–15.
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| − | | |
| − | | |
| − | LAMM, 2008
| |
| − | Lamm, April Elizabeth: »Paul Thek«, in: Frieze, 115, May, 2008, p. 181.
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| − | | |
| − | LüSCHER, 2008
| |
| − | Lüscher, Ingeborg: »Magician-Photo No. 179« [1980], in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 290-291.
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| − | | |
| − | | |
| − | MILLER, 2008
| |
| − | Miller, John: »Sodom and Gomorrah«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 130-135.
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| − | | |
| − | | |
| − | MONOVOISIN, 2008
| |
| − | Monovoisin, Alain (Hrsg.): Dictionnaire International de la Sculpture Moderne & Contemporaine, Paris: Éditions du Regard, 2008.
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| − | | |
| − | | |
| − | MUNDER, 2008
| |
| − | Munder, Heike (Hrsg.): Sammlung/Collection Migros Museum für Gegenwartskunst Zürich, 1978–2008, Zürich: Migros Museum für Gegenwartskunst, JPR Ringier 2008.
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| − | | |
| − | | |
| − | NEUBAUER, 2008
| |
| − | Neubauer, Susanne: »Ephemeralia. Paul Thek in Lucerne - A Reconstruction«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 170-184.
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| − | | |
| − | | |
| − | PARIS, 2008
| |
| − | Centre Pompidou, Traces du Sacré, Paris: Éditions du Centre Pompidou 2008.
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| − | | |
| − | | |
| − | RUGOFF, 2008
| |
| − | Rugoff, Ralph: »Psycho Buildings: An Illustrated History«, in: Rugoff, Ralph (Hrsg.): Psycho Buildings: Artists Take on Architecture, London: Hayward Publishing 2008.
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| − | | |
| − | | |
| − | SCHACHTER, 2008
| |
| − | Schachter, Kenny: »Nothing but Time. The Newspaper Works of Paul Thek«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 120-129.
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| − | | |
| − | | |
| − | SCHIFF, 2008
| |
| − | Schiff, Hajo: »Paul Thek – Werkschau im Kontext zeitgenössischer Kunst: Sammlung Falckenberg, Hamburg«, in: Kunstforum International, 192, Juli–August, 2008, pp. 282–84.
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| − | | |
| − | | |
| − | SMITH, 2008
| |
| − | Smith, Roberta: »An Alien Sighting on Planet Pittsburgh«, in: New York Times, 9.5.2008.
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| − | | |
| − | | |
| − | SMITH, 2008
| |
| − | Smith, Roberta: »Art in Review: Painting Now and Forever, Part II«, in: New York Times, 8.8.2008.
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| − | | |
| − | | |
| − | SCHWALB, 2008
| |
| − | Schwalb, Harry: »Carnegie International«, in: Artnews, Summer, 2008, p. 173.
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| − | | |
| − | | |
| − | SMOLIK, 2008
| |
| − | Smolik, Noemi: »Paul Thek: ZKM Museum für Neue Kunst«, in: Artforum, 46, 8, April, 2008, p. 384.
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| − | | |
| − | | |
| − | SZEEMANN, 2008
| |
| − | Szeemann, Harald: »Paul Thek, or Aspiration to the Concept of Unity«, in: Falckenberg, Harald, Weibel, Peter (Hrsg.): Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 284-286.
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| − | | |
| − | | |
| − | SZEEMANN, 2008
| |
| − | Szeemann, Harald: »Paul Thek, or the Aspiration to the Concept of Unity« [1977], in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 283-289.
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| − | | |
| − | | |
| − | TEMA CELESTE, 2008
| |
| − | »News & Around: Paul Thek«, in: Tema Celeste, 125, January/February, 2008, p. 104.
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| − | | |
| − | | |
| − | THOREL, 2008
| |
| − | Thorel, Benjamin: »Paul Thek: ZKM«, in: Flash Art, 260, May–June, 2008, p. 156.
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| − | | |
| − | | |
| − | TIETENBERG, 2008
| |
| − | Tietenberg, Annette: »Die Substitute des Subjekts. Paul Theks The Tomb, gesehen als modellhafte Reflexion von Autorschaft«, in: Kunstgeschichte. Texte zur Diskussion, 2008.
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| − | | |
| − | | |
| − | TIETENBERG, 2008
| |
| − | Tietenberg, Annette: »The Artist - An Endangered Species?«, in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 141-148.
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| − | | |
| − | | |
| − | TRAINOR, 2008
| |
| − | Trainor, James: »55th Carnegie International. Interview with Douglas Fogle«, in: Frieze, 112, January–February, 2008, pp. 144–46.
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| − | | |
| − | | |
| − | WILSON, 2008
| |
| − | Wilson, Ann: »Mare Tenebrarum – Sea of Darkness« [2001], in: Falckenberg, Harald, Weibel, Peter, Paul Thek. Artist's Artist, Cambridge, MA./London: The MIT Press 2008, pp. 230-239.
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| − | | |
| − | | |
| − | WILSON, 2008
| |
| − | Wilson, Michael: »Worldly Concerns: Michael Wilson on ›Life on Mars.‹«, in: Artforum, 46, 9, May, 2008, p. 165.
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| − | | |
| − | | |
| − | COSTA, 2009
| |
| − | Costa, José Manuel: »El ›proto-hippie‹«, in: ABC, 14.-20.3.2009.
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| − | | |
| − | | |
| − | GARCIA, 2009
| |
| − | Garcia, Carolina: »Paul Thek«, in: Arte y Parte, 79, February/March, 2009, p. 117.
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| − | | |
| − | | |
| − | HEISER, 2009
| |
| − | Heiser, Jörg: »Surface Tension«, in: Kaleidoscope, 4, November–December, 2009, pp. 44–48.
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| − | | |
| − | | |
| − | MARíN, 2009
| |
| − | Marín, Guillermo: »La crudeza de la carne«, in: Descubrir el Arte, 120, February, 2009, pp. 122.
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| − | | |
| − | | |
| − | MONTES, 2009
| |
| − | Montes, Javier: »Paul Thek, La carne es fuerte«, in: ABC, 14.-20.3.2009.
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| − | | |
| − | | |
| − | NEW YORK, 2009
| |
| − | The Museum of Modern Art, Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, New York: The Museum of Modern Art 2009.
| |
| − | | |
| − | | |
| − | NOVAK, 2009
| |
| − | Novak, Anja: »The Site of Installation Art. Hovering between Inner and Outer Places«, in: Westgeest, Helen (Hrsg.), Take Place. Photography and Place from Multiple Perspectives, Amsterdam: Valiz 2009.
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| − | | |
| − | | |
| − | RAUL, 2009
| |
| − | Raul Rispa (Hrsg.): Paul Thek: Artista de artistas; Obras y procesiones, 1958–1988, Madrid: Documenta Artes y Ciencias visuales and Museo Nacional Centro de Arte Reina Sofía 2009.
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| − | | |
| − | | |
| − | REYERO, 2009
| |
| − | Reyero, Itziar: »Thek, el hombre que restituyó al arte la crudeza de la carne«, in: ABC, 6.2.2009
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| − | | |
| − | | |
| − | VOIGT, 2009
| |
| − | Voigt, Reinhard: How I Came to Photograph Paul Thek's Nativity Play. Wilhelm Lehmbruck Museum, Duisburg, 1973, Berlin: BQ, 2009
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| − | | |
| − | | |
| − | WILSON, 2009
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| − | Wilson Robert, Structure and Creativity, Wege zur Architektu (http://issuu.com/fsb.de/docs/structure_and_creativity) (11.2010).
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| − | BAKER, 2010
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| − | Baker, George: „Paul Thek: Notes from the Underground“, in: Sussman, Elisabeth, Zelevansky, Lynn, Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010, pp. 190-203.
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| − | BRESLIN, 2010
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| − | Breslin, David: „'Magnificently Schizophrenic': Paul Thek and an Italien Lesson“, in: Sussman, Elisabeth, Zelevansky, Lynn (ed.), Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010, pp. 42-45.
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| − | BUDICK, 2010
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| − | Budick, Ariella: „Paul Thek, Whitney Museum,New York“, in: Financial Times, 8.11.2010.
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| − | FOUNTAIN, 2010
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| − | Fountain, Henry: „The Improvised Remedies of an Art Healer“, in: The New York Times, 25.10.2010.
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| − | HARRISON, 2010
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| − | Harrison, Rachel: „Paul Thek: Diver, a Retrospective“, in: Artforum (http://artforum.com/museums/) (30.11.2010)
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| − | NAGY, 2010
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| − | Nagy, Eleonora: »Delicate Matter: Two Conservation Case Studies on the Work of Paul Thek«, in: Sussman, Elisabeth, Zelevansky, Lynn (Hrsg.), Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010, pp. 274-283.
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| − | NEUBAUER, 2010
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| − | Neubauer, Susanne: »Paul Thek at documenta 5: The Case of an American-European Reception«, in: Sussman, Elisabeth, Zelevansky, Lynn, Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010, pp. 174-179.
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| − | PERREAULT, 2010
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| − | Perreault, John, „Paul Thek Revised: The Missing Years“, in: Artsjournal Weblog, 15.11.2010 (http://www.artsjournal.com/artopia/2010/11/paul_thek_revised_the_missing.html) (30.11.2010).
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| − | ROTHKOPF, 2010
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| − | Rothkopf, Scott: „Paul Thek and the Sixties Surreal“, in: Sussman, Elisabeth, Zelevansky, Lynn, Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010, pp. 46-53.
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| − | SCHJELDAHL, 2010
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| − | Schjeldahl, Peter: „Out-There Man. Paul Thek Rediscovered“, in: The New Yorker, 1.11.2010.
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| − | SCHWENDENER, 2010
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| − | Schwendener, Martha: „Paul Thek Gets a Major Retrospective at the Whitney“, in: The Village Voice, 27.10.2010.
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| − | SUSSMAN, 2010
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| − | Sussman, Elisabeth: „Photography in Life and Death: Paul Thek and Photography“, in: Sussman, Elisabeth, Zelevansky, Lynn, Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010, pp. 28-41.
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| − | SUSSMAN/ZELEVANSKY, 2010
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| − | Sussman, Elisabeth, Zelevansky, Lynn: Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010
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| − | SUSSMAN/ZELEVANSKY, 2010
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| − | Susmann, Elisabeth, Zelevansky, Lynn: „Introduction“, in: Sussman, Elisabeth, Zelevansky, Lynn, Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010, pp. 8-9.
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| − | WILSON, 2010
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| − | Wilson, Ann: „Beatitudes: Remembering Paul Thek“, in: Sussman, Elisabeth, Zelevansky, Lynn, Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010, pp. 116-119.
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| − | ZELEVANSKY, 2010
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| − | Zelevansky, Lynn: „Life Is Just a Bowl of Cherries: The Life and Art of Paul Thek“, in: Sussman, Elisabeth, Zelevansky, Lynn, Paul Thek: Diver. A Retrospective, 1963-1988, New Haven/London: Yale University Press 2010, pp. 10-27.
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| − | BECK, n.d.
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| − | Beck n.d. Beck, Hubert, Paul Thek, exh. leaflet, Frankfurt: Museum für Moderne Kunst, n.d.
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| − | | |
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| − | DANIELS, n.d.
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| − | Daniels, Dieter, „Fernsehen – Kunst oder Antikunst? Konflikte und Kooperationen zwischen Avantgarde und Massenmedium in den 1960er / 1970er Jahren", in: http://www.medienkunstnetz.de/themen/medienkunst_im_ueberblick/massenmedien/15/, n.p., n.d. (11.2005).
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