Difference between revisions of "Wilson Collection: Annie Hindle and Ella Wesner"

From OutHistory
Jump to navigationJump to search
(Annie Hindle and Ella Wesner)
(Annie HIndle and Ella Wesner)
 
(14 intermediate revisions by 2 users not shown)
Line 2: Line 2:
  
 
''(Carte de visite photograph of Ella Wesner, circa 1872)''
 
''(Carte de visite photograph of Ella Wesner, circa 1872)''
 
Under construction.
 
  
 
'''Annie Hindle and Ella Wesner'''
 
'''Annie Hindle and Ella Wesner'''
 
   
 
   
The newspaper report stated: One June night in 1886 a Grand Rapids “minister of the Gospel” pronounced “Annie Hindle the husband of Annie Ryan.”[1] The “jolly Gilbert Saroney, who, oddly enough, was a female impersonator,” was best man.[2]  
+
The newspaper report stated: One June night in 1886 a Grand Rapids “minister of the Gospel” pronounced “Annie Hindle the husband of Annie Ryan.”<ref>Lisa Duggan, ''Sapphic Slashers: Sex, Violence, and American Modernity'' ([Durham]: Duke University Press, 2000), 147, accessed October 19, 2012, http://books.google.com/books?id=ino_gj6djj8C&pg=PA147&lpg=PA147&dq=annie+hindle&source=bl&ots=twtRcfT8MR&sig=Nz3JOiqrzzAMEpP5ut7hyatXNfw&hl=en&ei=FUS5ToKDBqjW2AWArMW1Bw&sa=X&oi=book_result&ct=result&resnum=13&ved=0CGMQ6AEwDA#v=onepage&q=annie%20hindle&f=false.</ref> The “jolly Gilbert Saroney, who, oddly enough, was a female impersonator,” was best man.<ref>Duggan, 147.</ref>
 +
 
 +
 
 +
According to that New York Sun 1891 article, Hindle was the “first out and out ‘male impersonator’ New York’s stage had ever seen.”<ref>Duggan, 146.</ref> The first to imitate Hindle was Ella Wesner beginning in 1870. Both performers were popular and well paid. Wesner, like Hindle, grabbed media-attention--in 1872 with her same-sex “elopement…to Europe with Miss Josephine Mansfield.”<ref>Gillian M. Rodger, ''Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century'' ([Urbana: University of Illinois Press], 2010), 145, accessed October 19, 2012, http://books.google.com/books?id=Cr7NIXKo6- sC&pg=PT147&lpg=PT147&dq=annie+hindle+champagne+charlie+and+pretty+jemima&source=bl&ots=fVd7aLoIzp&sig=gBnC_ch95j_RXxY-hoIoMFQJ3p4&hl=en&ei=dyi5TpK4CMbs2gWe5YGxBw&sa=X&oi=book_result&ct=result&resnum=4&ved=0CDcQ6AEwAw#v=onepage&q=wesner&f=false.</ref>
 +
 
 +
==''References''==
 +
<references />
 +
 
 +
 
 +
 
 +
==''To return to "Exhibit contents" links, click:''==
 +
==[[Rich Wilson: Aspects of Queer Existence in 19th-Century America]]==
  
According to that New York Sun 1891 article, Hindle was the “first out and out ‘male impersonator’ New York’s stage had ever seen.”[3] The first to imitate Hindle was Ella Wesner beginning in 1870. Both performers were popular and well paid. Wesner, like Hindle, grabbed media-attention--in 1872 with her same-sex “elopement…to Europe with Miss Josephine Mansfield.”[4]
+
==''See also:''==
  
''References''
+
==[[Annie Hindle: ca. 1847-19??]]==
  
1. Lisa Duggan, Sapphic Slashers: Sex, Violence, and American Modernity ([Durham]: Duke University Press, 2000), 147, accessed October 19, 2012, http://books.google.com/books?id=ino_gj6djj8C&pg=PA147&lpg=PA147&dq=annie+hindle&source=bl&ots=twtRcfT8MR&sig=Nz3JOiqrzzAMEpP5ut7hyatXNfw&hl=en&ei=FUS5ToKDBqjW2AWArMW1Bw&sa=X&oi=book_result&ct=result&resnum=13&ved=0CGMQ6AEwDA#v=onepage&q=annie%20hindle&f=false.
+
__NOTOC__
2. Ibid., 147.
 
3. Ibid., 146.
 
4. Gillian M. Rodger, Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century ([Urbana: University of Illinois Press], 2010), 145, accessed October 19, 2012, http://books.google.com/books?id=Cr7NIXKo6- sC&pg=PT147&lpg=PT147&dq=annie+hindle+champagne+charlie+and+pretty+jemima&source=bl&ots=fVd7aLoIzp&sig=gBnC_ch95j_RXxY-hoIoMFQJ3p4&hl=en&ei=dyi5TpK4CMbs2gWe5YGxBw&sa=X&oi=book_result&ct=result&resnum=4&ved=0CDcQ6AEwAw#v=onepage&q=wesner&f=false.
 

Latest revision as of 10:46, 26 November 2012

Wesner.jpg

(Carte de visite photograph of Ella Wesner, circa 1872)

Annie Hindle and Ella Wesner

The newspaper report stated: One June night in 1886 a Grand Rapids “minister of the Gospel” pronounced “Annie Hindle the husband of Annie Ryan.”[1] The “jolly Gilbert Saroney, who, oddly enough, was a female impersonator,” was best man.[2]


According to that New York Sun 1891 article, Hindle was the “first out and out ‘male impersonator’ New York’s stage had ever seen.”[3] The first to imitate Hindle was Ella Wesner beginning in 1870. Both performers were popular and well paid. Wesner, like Hindle, grabbed media-attention--in 1872 with her same-sex “elopement…to Europe with Miss Josephine Mansfield.”[4]

References

  1. Lisa Duggan, Sapphic Slashers: Sex, Violence, and American Modernity ([Durham]: Duke University Press, 2000), 147, accessed October 19, 2012, http://books.google.com/books?id=ino_gj6djj8C&pg=PA147&lpg=PA147&dq=annie+hindle&source=bl&ots=twtRcfT8MR&sig=Nz3JOiqrzzAMEpP5ut7hyatXNfw&hl=en&ei=FUS5ToKDBqjW2AWArMW1Bw&sa=X&oi=book_result&ct=result&resnum=13&ved=0CGMQ6AEwDA#v=onepage&q=annie%20hindle&f=false.
  2. Duggan, 147.
  3. Duggan, 146.
  4. Gillian M. Rodger, Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century ([Urbana: University of Illinois Press], 2010), 145, accessed October 19, 2012, http://books.google.com/books?id=Cr7NIXKo6- sC&pg=PT147&lpg=PT147&dq=annie+hindle+champagne+charlie+and+pretty+jemima&source=bl&ots=fVd7aLoIzp&sig=gBnC_ch95j_RXxY-hoIoMFQJ3p4&hl=en&ei=dyi5TpK4CMbs2gWe5YGxBw&sa=X&oi=book_result&ct=result&resnum=4&ved=0CDcQ6AEwAw#v=onepage&q=wesner&f=false.


To return to "Exhibit contents" links, click:

Rich Wilson: Aspects of Queer Existence in 19th-Century America

See also:

Annie Hindle: ca. 1847-19??