Difference between revisions of "Suzanne Poli"
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| + | Christopher Street Liberation Day March 1970-84 | ||
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Text by Suzanne and Bruce Poli. Photos copyright © Suzanne Poli 1974-84 All Rights Reserved. No photos can be reproduced or use with out permission. | Text by Suzanne and Bruce Poli. Photos copyright © Suzanne Poli 1974-84 All Rights Reserved. No photos can be reproduced or use with out permission. | ||
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On January 19, 1967- five days after the Haight-Ashbury Be-In which introduced San Francisco's Summer of Love, a young photographer named Suzanne Nashas moved into an apartment on Christopher Street in New York City. It was to be an inspired move for this independent artist who championed freedom and justice. History was to unfold before her very eyes and she was to record it for the world to see. No one knew at that time how significant the events outside her window were to affect the future of our society. Now we know.--Bruce Poli | On January 19, 1967- five days after the Haight-Ashbury Be-In which introduced San Francisco's Summer of Love, a young photographer named Suzanne Nashas moved into an apartment on Christopher Street in New York City. It was to be an inspired move for this independent artist who championed freedom and justice. History was to unfold before her very eyes and she was to record it for the world to see. No one knew at that time how significant the events outside her window were to affect the future of our society. Now we know.--Bruce Poli | ||
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[[Image:Neighbors, 1974.jpg]] | [[Image:Neighbors, 1974.jpg]] | ||
'''Neighbors, circa 1974''' | '''Neighbors, circa 1974''' | ||
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Revision as of 04:47, 7 May 2009
Headline text
Coloured text Christopher Street Liberation Day March 1970-84
Text by Suzanne and Bruce Poli. Photos copyright © Suzanne Poli 1974-84 All Rights Reserved. No photos can be reproduced or use with out permission.
Introduction
On January 19, 1967- five days after the Haight-Ashbury Be-In which introduced San Francisco's Summer of Love, a young photographer named Suzanne Nashas moved into an apartment on Christopher Street in New York City. It was to be an inspired move for this independent artist who championed freedom and justice. History was to unfold before her very eyes and she was to record it for the world to see. No one knew at that time how significant the events outside her window were to affect the future of our society. Now we know.--Bruce Poli
Neighbors, circa 1974
