Difference between revisions of "4: The Man-Monster's Legacy"
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=Vaginal Davis' Painting= | =Vaginal Davis' Painting= | ||
− | Vaginal Davis, performance artist and queer curator, has lectured about Peter Sewally, the "She-Monster of Olde New York" as she calls him, and aspires to play him/her on screen. | + | Vaginal Davis, performance artist and queer curator, has lectured about Peter Sewally, the "She-Monster of Olde New York" as she calls him, and aspires to play him/her on screen. Ms. Vaginal Davis is a Berlin-based visual and performance artist, punk rock musician, and curator of early cinema. |
Below: | Below: | ||
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− | Below: Painting by Vaginal Davis | + | Below: Painting by Vaginal Davis. Shim Who Must Be Obeyed (2011). |
[[File:Davis 2.jpeg|650px]] | [[File:Davis 2.jpeg|650px]] | ||
Revision as of 06:49, 9 July 2011
Continued from: 3: Questions for Viewers
Though mocked, imprisoned, and rendered "notorious" in his own day, Sewally has recently become an important person in queer, black, and transgender history, and his story has inspired artists.
Imagination and reenactment have taken over where the historical record ends, as we see in three examples of contemporary artists who draw upon Sewally's story and the Man-Monster print.
Lezley Saar's Portrait
Lezley Saar's larger than life-sized mixed-media portrait of Sewally was inspired by the artist's encountering the Man-Monster print in Charles Addams' Dear Dead Days, a book of historical oddities and images published in 1959.
Knowing little else about his story than what the image and caption provided, Saar's portrait nonetheless intuits several key truths about his story as we now know it. Placing a convict's plate around his neck, she likens the print to a modern day "mug shot."
But this is a double portrait, as Sewally's other face appears upside down and to the right, his other body floating mysteriously upwards and off the canvas. Neither body is the true Sewally and one is impelled to re-orient ones gaze to see it all. Saar's poetic image places Sewally/Jones in a space between genders.
Anarchy Andi's Tatoo
In homage to Sewally, Anarchy Andi flaunts the imputed stigma of queerness back at society, as the print itself becomes part of hir "rig" with which to go "sailing along the street."
Vaginal Davis' Painting
Vaginal Davis, performance artist and queer curator, has lectured about Peter Sewally, the "She-Monster of Olde New York" as she calls him, and aspires to play him/her on screen. Ms. Vaginal Davis is a Berlin-based visual and performance artist, punk rock musician, and curator of early cinema.
Below:
- "VP as PS"
- Painting of Vaginal Davis as Peter Sewally aka Mary Jones aka Eliza Smith
- working title of upcoming film "The Five Points" -
Below: Painting by Vaginal Davis. Shim Who Must Be Obeyed (2011).
End of Man-Monster Exhibit
To return to the introduction to the exhibit or to earlier sections click below:
Visualizing the Man-Monster: Peter Sewally/Mary Jones, New York City, 1836
1: The Man-Monster Story
2: The Man-Monster Lithograph
3: Questions for Viewers
The Producers of the Man-Monster Exhibit
The Curators of the Man-Monster Exhibit