Anthony Gonzales: Subway Sex Idols; New York City, 2008

Entry in progress. Not complete.

An LGBT History Month Exhibit of Twenty Original Art Works

Introduction by Jonathan Ned Katz

Self-taught visual artist Anthony Gonzales’ works depict erotic life as he fantasizes it happening in the New York City subway, among an ethnically and racially diverse population. These works were first created in 2008 for an exhibit at the city’s gay and lesbian center, a show that coincided with the publication of a book of Gonzales art work, Bronx Boys (Berlin: Bruno Gmünder, 2008), compiled by Harvey Redding.

Self-portrait by Anthony Gonzales, 2008.

Though it may not be immediately apparent in 2009, the clothes, haircuts, attitudes, and behaviors that Gonzales fantasizes in his subway sex scenes set his vibrant, funny, fantasy images firmly within a particular historical locale, New York City in the first decade of the 21st Century. In ten years, say, these images will look historical—they will depict a strange-looking, far away past.

As related in Bronx Boys, Gonzales was born in 1964, in the Republic of Trinidad and Tobago, in the southern Caribbean, into “an economically-strapped, single-parent household,” the second of four siblings (two brothers and a sister). Paper, pens, and pencils were “almost prohibitively expensive, but were loving supplied to him by his mother who was aware of her son’s amazing talent from an early age. Gonzales began drawing as a child by copying images of his favorite comic book hero, Conan the Barbarian.”

But young Gonzales began adding his own creative touches to his copies. Working at night while his mother and siblings slept, he would draw his superhero with extra “mounds of muscle and a battle-axe-sized hard-on.” After finishing that night’s drawing, “he would then carefully shred his masterpiece into tiny secret bits that were cleverly camouflaged amongst the rest of the trash.”

In Trinidad, in 1985, Gonzales fathered a son, and Bronx Boys is dedicated to Gonzales’ “mom and son who are always there for me.” In 2009, Gonzales is a grandfather.

After immigrating to New York City in 1990, and becoming a U.S. citizen in 1998, Gonzales in 2005 joined the Saturday figure drawing sessions at the gay center on 13th Street, and the gay men’s erotic drawing workshop produced by the Leslie Lohman Gay Art Foundation. In addition to Bronx Boys, on his art, samples of his art work are also included in the publications Dirty Little Drawings (2006), Stripped Uncensored (2009), and The World’s Greatest Erotic Art of Today, Volume 3 (2009).

Gonzales’ art was first influenced by his favorite artists, the Czech Art Nouveau painter Alphonse Mucha, the Russian-born French artist known as Erté, the Costa Rican Guillermo Vargas, and the American fantasy and science fiction artist Frank Frazetta. Other early influences were the creators of gay erotic art: Ira C. Smith; Rex; The Hun; Robert W. Richards; Etienne; and Tom of Finland. In the perspective of art history, Gonzales’ raunchy, satirical city scenes are in the tradition of Paul Cadmus, George Grosz, and William Hogarth.

Gonzales collects comic books, reads mystery and crime novels, and watches classic 1930s movies, film noir, sci-fi, horror, blaxploitation, animation, and pre-condom porn.

OutHistory is honored to present the work of this immensely talented artist, emerging publicly at age 45, for what already promises to be a great career.

Warning:

Some of the art works in this feature depict sexually explicit acts. If this bothers you, do not look at them. All characters portrayed are 18 years of age or older. Artwork copyright by Anthony Gonzales 2008. For further information contact the artist at: gersian@aol.com