Leo Adams: A Gay Life in Letters, 1928–1952
Leo Adams, Becoming Visible, and the New York Public Library
In 1992 Leo Adams, a retired Macy's management executive, donated his personal papers to the Stonewall History Project, which had been organized to collect materials for an exhibit of lesbian and gay history scheduled to coincide with the 25th anniversary of the Stonewall Riots. The riots commenced in the early morning hours of June 28, 1969 after a police raid on the Stonewall Inn, a gay bar in New York City's Greenwich Village, and quickly came to symbolize the beginning of the modern gay rights struggle. The exhibit, Becoming Visible: The Legacy of Stonewall, opened at the New York Public Library, which now houses the Leo Adams Papers, in June 1994 to record crowds and enthusiastic reviews. In a note to exhibit co-curator Fred Wasserman at the time of his donation Leo Adams wrote:
- Dear Mr. Wasserman,
- Many years ago I started to save carbon copies of letters which I wrote, thinking that eventually when I was old (I am now 89 years of age) I might use them to help compose such a record as you are apparently engaged in doing.
- Individuals thought the letters were amusing and informative at the time. They may still have some such value in revealing the activity and interest currently engaging the gay world when it was quite underground.
- If you care to get in touch with me I shall be pleased to show you part of the collection of carbons on hand and possibly contribute a bit to your enterprise.
- None of us ever thought the entire subject would be as open and widely discussed as it now is, orally and on record. Just as an instance I should like to mention that the overseas edition of the Manchester Guardian recently mentioned the long sexual intimacy between Laurence Olivier and Danny Kaye. That, even to me, was a surprise, although I recall Olivier acting in "The Green Bay Tree" so naturally.[1]
In her preface to the 1998 book based on the exhibit, Becoming Visible, Mimi Bowling, Then Curator of Manuscripts NYPL, wrote "The exhibition…propelled the continuing acquisition of lesbian and gay collections into a whole new dimension as people began to realize that much of the memorabilia in their attics (and closets) was historically important."[2]
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