Leo Adams: A Gay Life in Letters, 1928–1952

Leo Adams, Becoming Visible, and the New York Public Library

In 1992 Leo Adams, a retired Macy's management executive, donated his personal papers to the Stonewall History Project, a collaboration of the New York Public Library and several other cultural institutions in New York City organized to commemorate the twenty-fifth anniversary of the Stonewall Riots. The riots commenced in the early morning hours of June 28, 1969 after a police raid on the Stonewall Inn, a gay bar in New York City's West Village, and quickly came to symbolize the beginning of the modern gay rights movement. The public exhibit that grew out of the project, Becoming Visible: The Legacy of Stonewall, ran at the New York Public Library's Gottesman Exhibition Hall from June 18 to September 24, 1994, receiving record crowds and enthusiastic reviews. In a note to exhibit co-curator Fred Wasserman at the time of his donation Leo Adams wrote:

Dear Mr. Wasserman,

Many years ago I started to save carbon copies of letters which I wrote, thinking that eventually when I was old (I am now 89 years of age) I might use them to help compose such a record as you are apparently engaged in doing.

Individuals thought the letters were amusing and informative at the time. They may still have some such value in revealing the activity and interest currently engaging the gay world when it was quite underground.

If you care to get in touch with me I shall be pleased to show you part of the collection of carbons on hand and possibly contribute a bit to your enterprise.

None of us ever thought the entire subject would be as open and widely discussed as it now is, orally and on record. Just as an instance I should like to mention that the overseas edition of the Manchester Guardian recently mentioned the long sexual intimacy between Laurence Olivier and Danny Kaye. That, even to me, was a surprise, although I recall Olivier acting in "The Green Bay Tree" so naturally.

In her preface to the 1998 book based on the exhibit, Becoming Visible, Mimi Bowling, then Curator of Manuscripts at the NYPL, wrote "The exhibition…propelled the continuing acquisition of lesbian and gay collections into a whole new dimension as people began to realize that much of the memorabilia in their attics (and closets) was historically important." And thus it was that the Leo Adams Papers joined the rapidly expanding LGBT Collections at the NYPL following the exhibit. Adams's papers, comprising nearly 1,000 letters and postcards, a few photos, several poetry manuscripts, and a type-script anthology of poems memorializing the death by suicide of a former lover, became part of what Michel Foucault vividly characterized as an "insurrection of subjugated knowledges," that began to infiltrate the shelves of libraries, archives, and special collections both public and private. Foucault described these subjugated knowledges as "historical contents that have been buried or masked in functional coherences or formal systematizations." From 1928–1952, the period covered by the Adams papers, the "gay world" that Leo Adams's letters reveal had existed largely under ground––buried in medical, ecclesiastical, and criminal justice discourses and masked behind doctrines of inversion, perversion and vice.

This exhibit attempts to present selections from the Leo Adams Papers in the way he might have found both "amusing and informative," had this collaborative, Internet-based platform been as familiar to him as his carbon-copied archive of correspondence. Leo Adams: A Gay Life in Letters sees his papers as contributing to a kind of "genealogy" of gay knowledge, defined by Foucault as the "coupling together of scholarly erudition and local memories, which allows us to constitute a historical knowledge of struggles and to make use of that knowledge in contemporary tactics." It is coincidental, but nonetheless symbolically meaningful, that this archive entered the historical record in conjunction with Becoming Visible--a commemoration of the Stonewall Riots--the most visible act of resistance in modern lesbian and gay history.

In 1952 Leo Adams suddenly stopped archiving his correspondence, even though he would live another 43 active and engaged years in his bachelor apartment on East 42nd Street. A few years earlier he wrote to his friends Dorothy and Nick Kiley:

Since the end of the war…I notice that I have given up writing letters. I used to enjoy writing them, and now it seems as though I was either written out or the lack of leisure which I formerly possessed has yielded a guilty conscience about letterwriting instead of productivity. When I see you I shall relate such items of interest or amusement as have entered the ken of this organism during the summer, however, and I trust we will have many laughs.

He could not, perhaps, have foreseen the coming revolution and the role his archive of letters would play in the insurrection. He was, however, nonetheless prescient in preserving them for future generations--sometimes uncannily so. In the first folder of the second box of the Leo Adams Papers is a typescript poetry anthology--fragments of melancholy verse assembled to commemorate the death by suicide of a former lover. Adams distributed his chapbook to his coterie, including the artist Wesley Lea, to whom he wrote on the subject:

I want you to have a copy of Sudden Night. Since I don't know when I shall finally have the money to print it, I may as well get a few copies of it judiciously distributed around so it won't be inevitably lost to posterity…Fifty years from now, if a privately printed copy is rediscovered in the New York Public Library, I should love to have prominent speculation in the magazines and newspapers as to just who this could refer to.

Leo Adams got it pretty close: Becoming Visible, the exhibit that brought his papers into the New York Public Library opened on June 18, 1994--almost fifty years to the day since he wrote this letter. If this exhibit aspires to anything, it is to fulfill Leo Adams wish that there be "prominent speculation" about his gay life in New York circa 1928 to 1952.

Notes

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