Anthony Heilbut: "The Fan Who Knew Too Much", June 19, 2012

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The Fan Who Knew Too Much: Aretha Franklin, the Rise of the Soap Opera, Children of the Gospel Church, and Other Meditations by Anthony Heilbut.Hardcover: New York City: Knopf, June 19, 2012. ISBN-10: 037540080X. ISBN-13: 978-0375400803


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Samuel G. Freedman. "On Religion. Gospel Music Secrets, Callanging Black Homphobia." New York Times, June 2, 2012, page.

Anthony Heilbut has been a leading producer, reviewer and historian of black gospel music for nearly a half-century. During that time, he came to know many performers who were gay or bisexual, and he treated their private lives as private. Mr. Heilbut’s authoritative book “The Gospel Sound,” published in 1971 and updated several times since then, contained just one sentence about homosexuality.
Now, amid the volatile national debate about same-sex marriage, Mr. Heilbut has thrown the doors open to what he calls the “secret closet” of gays in gospel. In a lengthy chapter of his forthcoming book, “The Fan Who Knew Too Much,” he not only pays homage to the artistic role of gays and bisexuals, but also accuses black Christians, clergy and laity alike, of hypocrisy in opposing same-sex marriage while relying on gay people for much of the sacred music of the black church. . . .
His reasons for breaking his silence are partly practical. Many of the musicians he identifies as gay or bisexual — James Cleveland, Alex Bradford, Clara Ward, Sister Rosetta Tharpe — are now dead, and in Mr. Cleveland’s case, dead from AIDS.
In the book, Mr. Heilbut recounts a conversation with another gay musician, Charles Campbell, shortly before his death. When Mr. Heilbut asked if he could “tell his story and quote him,” Mr. Campbell replied: “Sure, baby, I think it needs to be told. It all needs to be told.

Editorial Reviews

“Full of contagious enthusiasm, razor sharp wit, and stunning insights . . . his musings on Aretha Franklin alone are worth the price of the book . . . The sensations of spending a few moments in Heilbut's company provide great bliss indeed.” —Publishers Weekly


“Detailed, freewheeling and very personal cultural essays from an admitted obsessive and an amiable and intelligent rambler . . . A cook’s tour through the passions of an expert whose style is as eclectic as his subject matter.” —Kirkus


“Take in his witty, passionate prose, his uncanny blend of scholarship and reportage, his analytic brilliance and his joie de vivre. You will be stirred and delighted.” —Margo Jefferson, author of On Michael Jackson


“Nothing new in the last year gave me as much pure reading pleasure . . . Heilbut ranges over the culture like a madman, but with a fierce sanity in his eye, debunking myths and erecting new ones. I finished The Fan Who Knew Too Much wondering how, without it, I'd ever thought I understood a thing about America in the twentieth century. Let me ask: are you familiar with the history of gays in gospel? Or with the early, radio roots of soap operas? Then you, too, are similarly benighted. Get with this.” —John Jeremiah Sullivan, author of Pulphead


About the Author

Anthony Heilbut received his Ph.D. in English from Harvard University. He has taught at New York University and Hunter College and is the author of Exiled in Paradise, The Gospel Sound, and Thomas Mann: Eros and Literature. Heilbut is also a record producer specializing in gospel music and has won both a Grammy Award and a Grand Prix du Disque.

[[Category:Cleveland, James Clevel